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The machinery to enable Stephen Miller’s darkest deportation dreams is both tangible and legal. In this week’s show, Dahlia Lithwick explores the statutory and regulatory foundations of the Trump administration’s expanding network of detention camps, plus the historical background of the vast warehouse system they are using to imprison tens of thousands of migrants. First, she speaks with Linus Chan, who represents Minnesotans detained by ICE, he teaches law at the University of Minnesota School of Law. Chan describes how the most basic right of habeas corpus has been whittled away by the courts to a filament when it comes to immigration law, allowing the federal government to weaponize brutal detention against ordinary Americans.
Next, Dahlia is in conversation with Andrea Pitzer, about her chilling and urgent new piece, Building the camps: The warehouseification of detention and initial thoughts on stopping it. It is essential reading (and listening!) in light of the billion dollar detention camp system being built in warehouses near you in cities around the nation.
If you want to check if your town is on the list, Andrea recommends checking out Project Salt Box.

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This week: Alphabet announced a rare 100-year bond issuance. Felix Salmon, Elizabeth Spiers, and Emily Peck, explain the calculation the tech giant is making here and how the market responded to the move. Then, an analysis from the NY Fed has concluded that most of the burden of Trump’s tariff hikes is on US households and the hosts debate the possible pros – and obvious cons – of this sneaky tax hike. And then, Felix goes deep on one of his favorite topics: why knockoffs aren’t so bad.

In the Slate Plus episode: What’s up with the new Ferrari design?

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Podcast production by Jessamine Molli and Cheyna Roth.

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On today’s episode, host Kate Lindsay is joined by writer Sonia Weiser to discuss her piece, “I Made My Dating Profile Weird on Purpose. It’s Surprisingly Effective.” People have been frustrated with dating apps for some time, but now the rise of AI has made profiles boring and inauthentic. When everyone looks and talks the same, it’s even harder to find a spark. Instead, Sonia and a number of other dating app users have decided to stop taking the apps so seriously, and use them to shitpost their way to finding love instead.

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.
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These days, country and pop acts regularly invade each other’s territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.

John Denver infused his folk balladry with homespun lyrics about country roads and wide-open skies. Olivia Newton-John sang over twangy melodies that belied her British-Australian roots. Both faced backlash—especially when they started topping the country and pop charts simultaneously and winning prizes that used to go to Nashville legends.

Eventually, both artists outgrew country music. Denver became a ubiquitous entertainer and beloved Muppet wingman. Newton-John dazzled in the film Grease, then reinvented herself as a leather-clad siren unafraid to get physical.

Join Chris Molanphy as he traces the parallel rise of two country-pop titans from the Rocky Mountains to Xanadu.

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There was a moment, when the tech CEOs and media moguls were lining up to kiss Trump’s ring, when it looked like almost all the demographic arrows were pointing right, where it looked like Trumpism was, if not widely embraced, at least too big to be written off. After a year of Trump back in office, the culture cries out for Woke 2.0.

Guest: Brian Beutler, founder of Off-Message.

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Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther.

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