New Books in Environmental Studies

We often idealize the university as a sanctuary for disinterested
reason, where material concerns are set aside in favor of higher
principles. Yet when we remember our own college experiences, what
springs to mind are not just lofty concepts but also material realities:
cramped dorm rooms and musty library stacks, gothic towers and freshly
mowed quads.

The University: A History in Stone, Silk, and Blood (Harvard
University Press, 2026) puts such seemingly inconsequential details at
the center of the institution’s 900-year history. Constructing each
chapter around an emblematic material—straw, stone, flesh, blood, silk,
paper, iron, and concrete—Professor William Whyte traces the intimate
connections between the university’s shifting physical form and its
evolving social and cultural meanings. From the medieval University of
Paris, where students purchased bundles of straw to use as chairs in
otherwise-unfurnished classrooms, to the ocean of concrete at
postcolonial Nigeria’s Obafemi Awolowo University, Professor Whyte shows
how competing visions of higher learning left their imprint on
generations of university architecture, landscaping, and furniture.
Along the way, he highlights perennial fears that, within the social
space of the university, the life of the mind would recede before
worldly interests: that student bloodlines would be tainted by racial
intermixing, that courting donors with buildings named in their honor
would become more important than research and education, that the allure
of powdered wigs and silk gowns would undermine scholarly discipline.

A richly textured chronicle, The University concludes that,
even in the age of remote learning, the college campus is irreplaceable.
The future of higher education includes fiber-optic cables, but stone,
brick, and steel are here to stay.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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A sweeping history of humanity’s most fundamental creation―the home―and its effects on the land, cities, and people themselves.

Americans
spend, on average, 90 percent of their lives indoors, with two-thirds
of that time spent in their homes. Globally, the construction and
maintenance of residential buildings account for a staggering portion of carbon emissions. In this timely
and fascinating work, architect and urban-planning scholar Stefan Al
deftly weaves together archaeology, engineering, social history, and
environmental science to explain how our homes have developed through
the ages and in turn shaped civilization and the planet itself.

From
tiny pit-houses in the Levant and Mesoamerica thousands of years ago to
soaring skyscrapers in Dubai, New York, and Shanghai today, Dwelling on Earth: The Past and Future of the Places We Call Home (W. W. Norton & Company, 2026) takes
readers on a swift and absorbing tour of the evolution of human
habitation. Whisking readers from ancient Pompeii to contemporary Hong
Kong, industrial-age Liverpool to postwar Levittown, Al shows how our
choices in housing have both reflected and affected ideas about gender
roles, privacy, and comfort. Discover how seemingly mundane
elements―like door-knockers
and corridors―have altered everyday interactions, and how material
choices have remade the planet’s surface. He also confronts the darker
side of domesticity, exposing the unintended consequences of our
architectural choices across millennia, including smoke-filled Neolithic
dwellings, deadly fires in crowded Roman apartment buildings, and
worsening social isolation in car-dependent suburbs. Finally, he
examines the myths and reality of future housing, including 3D-printed
homes and space architecture built by robots.

Drawing from personal experiences
across global cities and professional insights, Al illuminates how our
choices in housing continue to influence everything from social
relationships to climate change, ultimately arguing
that understanding this rich history is crucial for building a more
sustainable future. With billions more people needing housing in the
coming decades, Dwelling on Earth reveals how we might transform humanity’s defining challenge into our greatest opportunity.

HOST BIO: Alex Hallbom is an urban planner and writer based in Vancouver, British Columbia.
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Becoming Utopia: History, Heritage, and Sustainability in the American Midwest (U Nebraska Press, 2026) centers on the tiny community of Bishop Hill, Illinois, whose marketing materials call it “Utopia on the Prairie,” home to a radical communal religious sect that emigrated from Sweden in the 1840s. Through rich textual and ethnographic analyses, Dr. Margaret E. Farrar and Dr. Adam Kaul tell the story of what happens when a small, historically significant Midwestern community negotiates the contradictory impulses of twenty-first-century place-making. At first glance, Bishop Hill is simply a small heritage tourism destination in Midwestern flyover country, but further inspection reveals it to be a complex place that mixes a deep nostalgia for the past undercut by complex origin stories of displacement and colonialism, an active historic preservation movement amid futuristic green energy technologies built by multinational corporations, and a commitment to localism in the context of omnipresent globalization.

Based on fifteen years of fieldwork, Becoming Utopia is an interdisciplinary contribution to conversations about the importance and meaning of place-making, heritage-making, and sustainability (social, economic, and environmental) in the twenty-first century.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Republicanism is arguably the most powerful political idea in
history, an extraordinary feat of human imagination that balances
individual liberty with collective responsibility. The Environmental Republic: Why Citizens Will Save the World (Princeton
University Press, 2026) reclaims this idea as the path to sustaining
our life together on a changing planet, reframing our relationship to
the environment not as a constraint on liberty but as its republican
foundation.
Giulio Boccaletti argues that we must renew our commitment to freedom
and civic responsibility through popular sovereignty. He presents the
environmental republic as a necessary alternative to blind faith in
technocratic management, the shallow moralizing and apocalyptic rhetoric
of some activists, and the disingenuous skepticism of vested interests.
Our environmental challenges are not simply about “agreeing on the
facts” or living within technical limitations—they reflect a deeper
failure of political institutions. Drawing on the history of ideas and
real-world examples, Boccaletti presents a political framework that
places our relationship to our surroundings at the heart of how we
exercise our voice, coordinate collective action, and define development
itself.
Offering hope in an anxious age of rising authoritarianism and widespread pessimism, The Environmental Republic
challenges the false choice between environmental protection and human
freedom, showing how place-based institutions can deliver both
sustainability and human development through true self-governance.

Giulio Boccaletti
is an author whose writings on natural resources security have been
translated into several languages. He has held international leadership
positions in the private and not-for-profit sectors. He is the
scientific director of the Euro-Mediterranean Center on Climate Change,
one of Europe’s largest research institutions focused on Earth science
and transition economics, and cofounder of Chloris Geospatial, a
space-tech company specializing in Earth observations. His books include
Water: A Biography, and his work has been featured in acclaimed PBS series such as H2O: The Molecule That Made Us, Human Footprint, and The Future of Nature.

Morteza Hajizadeh
is a Ph.D. graduate in English from the University of Auckland in New
Zealand. His research interests are Cultural Studies; Critical Theory;
Environmental History; Medieval (Intellectual) History; Gothic Studies;
18th
and 19th Century British Literature.
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Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western
art: the famous turning point for painting and sculpture usually
emblematized by the works of Édouard Manet and then the Impressionists.
Instead of the usual revaluation of this turning point, Sara Pappas
argues for the importance of the failure to find a cohesive story for
the art world in the period itself, a difficulty that carries forward to
galleries today. In order to demonstrate the importance of incongruity
and disorder, Pappas brings together two worlds that may seem
incompatible: nineteenth-century literary writers involved in naturalism
and the organization of permanent collections of later
nineteenth-century French art in today's museums. Drawing on the art
novels and art criticism of these writers, the book provides optimal
access to the questions that continue to haunt the categorization and
display of nineteenth-century art.

Guest Sara Pappas is Associate Professor of French and Visual Culture
at the University of Richmond. In addition to this volume, she has
published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles
to contemporary artist Kehinde Wiley’s influence on French art, as well
as co-curating an exhibit of Nineteenth Century French and Russian Art
at the Harnett Museum of Art.

Host Gina Stamm is Associate Professor of French at The University of
Alabama, with research concentrated on the environmental humanities and
speculative literatures of the 20th and 21st centuries, from Surrealism
to contemporary science fiction and feminist utopias, in Metropolitan
France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
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