James Allen On F1

• 49: Confessions of an F1 TV Pit Reporter

  This week we welcome Ted Kravitz, a bona fide sports broadcasting legend, who has carved his own niche since 2001, patrolling the F1 pit lane for Sky Sports F1, BBC and ITV Sport.  His Ted’s Notebook segment on the Sky coverage is a must-watch for all fans of the sport, from the US to the UK, Australia and beyond.  He’s just released a new book, F1 Insider, telling his story as well as some great stories and anecdotes from his 25 years as the voice of the F1 pitlane. James Allen, who mentored Ted early in his TV career, chats to him about the F1 personalities that have stood out, moments of high drama that he found himself in the middle of and the toughest moments he’s faced. Ted lifts the veil on how live F1 TV coverage works behind the scenes.  He also looks ahead to the final three months of the season and his gives thoughts the battle for the F1 Drivers’ Championship.  F1 Insider: Notes from the Pit Lane is out now, published by Octopus Books. Send your comments or questions to: @jamesallenonf1 on X or [email protected]. A Motorsport Studios production for Autosport 

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• 48: Who will be the first F1 team post-McLaren to win the World Championship?

  McLaren are poised to win the F1 Constructors World Championship with a record seven races to spare. Given that this is the final year of these regulations, where the margins are supposed to be tight, how have they done it? Will McLaren’s dominance continue in 2026, when new regulations are introduced? And if not – which team will be the first post-McLaren to win a Constructors’ Championship? With James Allen to discuss this we welcome back friend of the pod, former Aston Martin technical director and head of aerodynamics at Red Bull Racing, Dan Fallows and Autosport’s F1 writer Jake Boxhall Legge.  Send your comments or questions to: @jamesallenonf1 on X or [email protected]. A Motorsport Studios production for Autosport 

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• 47: Who’s fast and who’s furious after intense Dutch GP

  F1 is back in racing mode after the Summer Break and this week we are in between two fast, intense races; the Dutch GP at Zandvoort and the Italian GP at Monza, the race with the highest average speed lap on the calendar and the home of Ferrari.  Alongside James Allen we’ve brought in to of our fastest thinkers: Our F1 writer from the Netherlands Ronald Vording and our man in Italy Roberto Chinchero.  The team discuss the mood music at Zandvoort, the championship balance between the McLaren drivers, growing pressure on Hamilton and Antonelli ahead of Monza and why Toto Wolff appreciates deepfake images of himself on the internet.  Send your comments or questions to: @jamesallenonf1 on X or [email protected]. A Motorsport Studios production for Autosport 

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• 46: What makes a great racing movie and which one is the best?

  In Part Two of our Summer Special featuring a panel of movie industry experts, we analyse the most cherished racing movies; the classic Grand Prix (1966) as well as other celebrated motorsport films Rush (2013), Days of Thunder (1990) and Le Mans (1971). Are they any good as movies and what does it take to create a film that appeals to all audiences, not just motorsport enthusiasts? And what, if anything, did this summer’s Apple blockbuster F1 Movie with Brad Pitt take from them? We explore how well the various stories and plotlines work and the all-important action sequences. We reveal which cues they take from each other.  How are female characters depicted and how does their treatment compare across the decades? Which films were commercially successful and which ones flopped? Finally, if the master rolls of all these films were in a burning warehouse and only one could be saved for posterity, which one would the experts rescue?  The answer may surprise you.  With James Allen in the studio are:  Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films. Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).  Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.  Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.  Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/ Send your comments or questions to: @jamesallenonf1 on X or [email protected].

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• 45: What happens when film industry experts break down the F1 Movie?

  This week we gather a stellar line-up of movie industry insiders as we break down the summer blockbuster F1 Movie, which has now earned over half a billion dollars at the box office, so deserves some deeper consideration. Having earlier looked at it from the point of view of journalists and fans, we now get the movie experts to cast an eye over it; is it technically a good film? How well does the story work, and what about the all-important action sequences? How does the treatment of female characters compare? And do movies like this do any long-term good for the sport? In Part II next week, the panel will compare it with the 1960s classic Grand Prix as well as other classic motorsport films Rush, Days of Thunder and Le Mans. Are they any good as movies? And what does it take to create a movie that appeals to all audiences, not just motorsport enthusiasts? With James Allen in the studio are:  Eddie Hamilton, editor of Top Gun Maverick and the two most recent Mission Impossible films. Adrian Wootton OBE, runs the British Film Commission (encouraging productions like F1 to film in the UK).  Mark Lane is an award-winning movie producer, with over 40 credits including I am not a serial Killer and The Cut.  Nick Manzi is a producer with a string of hits from Blitz to Salmon Fishing in the Yemen and a lifelong F1 enthusiast.  Chapters 00:00 Introduction to F1 Movie Discussion 03:00 Audience Reception and Expectations 05:58 The Art of Filmmaking in F1 Movies 08:59 Motorsport as a Cinematic Backdrop 11:55 Elements of a Successful Film 14:51 Character Dynamics and Storytelling 18:08 Technical Achievements and Authenticity 20:46 The Role of Female Characters 23:59 Budget and Financial Aspects of F1 Movie 26:51 Conclusion and Final Thoughts Don’t miss the chance to compete against our expert writers on Motorsport’s hugely popular F1 Fantasy League. https://www.motorsport.com/f1/news/race-our-writers-motorsport-launches-its-first-ever-featured-league-on-f1-fantasy/10702182/ Send your comments or questions to: @jamesallenonf1 on X or [email protected]. A Motorsport Studios production for Autosport

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