The WhatsOnStage Podcast

Fresh from wowing Disney audiences as Kleya in Andor, Elizabeth Dulau is playing the iconic poet George Eliot in Alexi Kaye Campbell's brand new play Bird Grove, currently in previews at the Hampstead Theatre. We discuss the surprising facets of Eliot's personality as well as the challenges faced with trying to bring such a revered literary figure to the stage. Beyond that, we also touch on Dulau's experiences in the Star Wars universe – and how she imagines Kleya's storyline continued. Hosted on Acast. See acast.com/privacy for more information.

In part two of the series, Sarah and Alex weigh up the merits of new work from Caryl Churchill, Roy Williams and Kwame Kwei-Armah. Plus new writing from Lucy Prebble and Lynn Nottage. Who will take the crown in each year? Hosted on Acast. See acast.com/privacy for more information.

Last month, WhatsOnStage was invited to the Menier Chocolate Factory to talk to the creator and star of their summer show, Midnight at the Never Get. Ben Platt will star in the UK premiere of Mark Sonnenblick’s musical. Set in 1965 New York, it follows Trevor Copeland and Arthur Brightman’s illegal romance, where they meet to perform songs in a secret nightclub act. David Cromer will direct a new production for its premiere at the Menier Chocolate Factory. Hosted on Acast. See acast.com/privacy for more information.

As he launches his new book about starring in Samuel Beckett’s Godot opposite Ben Whishaw, Lucian Msamati sits down with Sarah and Alex to lift the lid on the mood behind the scenes, the behaviour of audiences and why theatre is still like gym for young actors Hosted on Acast. See acast.com/privacy for more information.

On what would be Jonathan Larson's 66th birthday, the freshly revealed cast of The Jonathan Larson Project, including Grace Mouat and Max Harwood, came together for a special launch at Century Club in central London. At the same event, Jessie Elland, Maisie Smith and Jed Berry discussed their casting in the new production of Little Shop of Horrors, running in Manchester and Liverpool – while producer Thomas Hopkins explains why it's easier to programme on Broadway than in the West End right now. Hosted on Acast. See acast.com/privacy for more information.