The report the theatre world can't ignore: Women's health in the spotlight with special guest Emily Vaughan-Barratt
Following a high-profile launch for the Women's Health in Theatre report at the Harold Pinter Theatre last week, chief critic Sarah Crompton sat down with the report's pioneer, award-winning producer Emily Vaughan-Barratt, at her offices in London. The report's finding were an uncompromising reminder of the constant hurdles placed in front of women in the theatre industry - with issues around fertility, menopause and childcare all brought into sharp focus. The report didn't just cover those on stage - but also those behind the scenes and working across theatreland's offices and front-of-house areas. So what are the next steps? How can the situation be helped? And who are the unsung heroes helping those in need? Hosted on Acast. See acast.com/privacy for more information.
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Bonus episode: How to adapt a classic musical into a film
In this episode, we head to the US where editor David Gordon sits down with director Bill Condon to discuss his new movie version of Kiss of the Spider Woman. Together they explore his approach to adapting the acclaimed story for the stage, the themes of identity and survival, and the creative process behind bringing such an iconic work to life. It’s an insightful look at storytelling, collaboration and the enduring legacy of Kiss of the Spider Woman. David also chats to break-out star Tonatiuh about his role in the new flick. Hosted on Acast. See acast.com/privacy for more information.
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What is the secret to Les Misérables' success?
To be or not to be - that is the question... Or is it "Do You Hear The People Sing?" As Les Misérables celebrates 40 years in the West End, Sarah and Alex reflect on the runaway success of the iconic musical that has enchanted audiences for decades. What does it say about the critics that they got it so wrong? Meanwhile, the National Theatre has opened a new production of Hamlet - laden with Easter eggs and references - and a standout performance that wowed Sarah! Hosted on Acast. See acast.com/privacy for more information.
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How one venue is bringing Hope to regional theatres
We’re heading to Manchester to celebrate a remarkable milestone. It’s been ten years since the Hope Mill Theatre first opened its doors, transforming a former textile mill into one of the country’s most respected independent producing houses.With just over 145 seats, it’s an intimate space that’s punched well above its weight — staging acclaimed revivals and brand-new work alike, and helping to launch careers both on and off stage. Its productions have included the award-winning Spring Awakening, Rent, Mame, and, later this month, the team are bringing Young Frankenstein to the Hope Mill stage. And looking ahead to 2026, they’re taking on their biggest project yet with High School Musical at The Lowry. Hosted on Acast. See acast.com/privacy for more information.
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The magic of rain on stage, the greatness of Brendan Gleeson and the start of the National Theatre’s new regime
Sarah and Alex catch up on the latest in a hectic season of theatre and talk about why The Weir by Conor McPherson really is one of the great plays of the past 50 years. And - actors getting wet is always irresistible, but does it just make you think about drainage? Hosted on Acast. See acast.com/privacy for more information.
WhatsOnStage managing editor Alex Wood and chief theatre critic Sarah Crompton host a weekly podcast on all things theatrical. News, views, frank exchanges and lists offer an unmissable guide to what’s happening on stage (and in film and on television) now, in the past and in future. From musicals, to plays, to immersive shows, to interviews with the biggest stars, there's something for everyone! Hosted on Acast. See acast.com/privacy for more information.
France