I’ve covered digital and practical effects in film and TV, but creating special effects for live theater is a whole other challenge. J&M Special Effects has been up to the task for 40 years. Their crew has worked on shows from Hadestown to Harry Potter and The Cursed Child to Disney musicals like Frozen and Aladdin. I get a behind-the-scenes tour of their Brooklyn warehouse, where failure is part of the process in figuring out how to make the magic work. I talk with partner and designer Jeremy Chernick, along with pyrotechnician Bohdan Bushnell, about how theatrical effects have evolved with new technology -- and why they can sometimes be too good at their jobs in making the impossible seem possible.
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The Shark That Ate Hollywood
I didn't want the summer to end without joining in on the 50th anniversary celebrations of Jaws. I spent summers on Cape Cod as a kid, where I often heard that Jaws was filmed nearby on Martha's Vineyard. In fact, I recently went back and visited an exhibit on the 50th anniversary of Jaws at the Martha Vineyard Museum. So this week, I'm playing one of my favorite reflections on the 50th anniversary of Jaws -- an episode from the podcast Cautionary Tales. The host Tim Harford dives deep into the famously chaotic filming of Jaws, and he explores whether we can learn any lessons from the ordeal that young Steven Spielberg went through.
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Dreaming of Coney Island's Dreamland
Coney Island still has the classic amusements you’d expect today like roller coasters, water slides, and carnival games. But over a century ago, it looked more like a proto–Disney World, with multiple theme parks, colossal buildings, and wildly imaginative rides. The most extravagant park along the boardwalk was Dreamland. At Dreamland, you could take a trip to Hell, experience the end of the world, ride through fake Venetian canals, or visit a city built to scale for little people. I talk with historian and novelist Kevin Baker about why Dreamland remains so intriguing and deeply problematic. We also hear voice actor Lofty Fulton read a passage from Kevin’s novel “Dreamland.” Plus, I talk with visual artist Zoe Beloff. She was fascinated that Sigmund Freud visited Dreamland in 1909. So she invented an alternative history where Freud’s disciples in Brooklyn tried to rebuild the park with overtly Freudian rides and exhibits.
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8-Bit to Orchestras: Video Game Music Scores
Creating a musical score for interactive video games is like trying to hit a moving target. Luckily, Hans Zimmer’s studio Bleeding Fingers has developed some clever strategies. I talk with their CEO Russell Emanuel and musicians Thom Lukas and Giovanni Rios about how they create innovative scores for games like Arknights, and why they thrive under creative limitations. Grammy-winning video game composer Winifred Phillips discusses how she builds adaptive scores that shift and respond to unpredictable gameplay. And video game historian and RPI professor William Gibbons explains why the technological limitations of ‘80s and ‘90s games actually fueled composers’ creativity.
This week’s episode is sponsored by The Perfect Jean. Our listeners get 15% off your first order plus Free Shipping, Free Returns and Free Exchanges when you use code IMAGINARY15 at checkout.
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How Jack Kirby Made His Mark on Marvel
The production design of the film Fantastic Four: First Steps is an homage to the early ‘60s comics created by Stan Lee and Jack Kirby. While Kirby is best known for his bold, fist-popping drawing style, he was also a great storyteller who redefined what comic books could be. He was appreciated by hardcore fans at the time, but he never got the same media attention as Stan Lee and wasn't compensated for the fortunes his characters made. I talk with Kirby experts Charles Hatfield, Mark Evanier, Randolph Hoppe, and Arlen Schumer about where we can see Jack Kirby's influence on comics like The Fantastic Four, Thor, The Hulk, Captain America and Black Panther. And I explore Kirby's childhood at the Tenement Museum on the Lower East Side, where every day was “clobberin’ time,”and he first learned how to use a garbage can lid as a shield.
This week’s episode is sponsored by ButcherBox, Hims and ShipStation.
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Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade working as a public radio reporter and producer, and he uses those skills to create thoughtful, sound-rich episodes about science fiction, fantasy, and other genres of speculative fiction. Every other week, he talks with filmmakers, screenwriters, novelists, comic book artists, game designers, and anyone who works in the field of make-believe about how they craft their worlds. He also talks with academics and fans about why we suspend our disbelief, and what happens if the spell is broken. Imaginary worlds may be set on distant planets or parallel dimensions, but they are crafted here on Earth, and they’re always about us and our lived experiences.
France