New Books in Language and Translation

The Holocaust radically altered the way many East European Jews spoke Yiddish. Finding prewar language incapable of describing the imprisonment, death, and dehumanization of the Holocaust, prisoners added or reinvented thousands of Yiddish words and phrases to describe their new reality. These crass, witty, and sometimes beautiful Yiddish words – Khurbn Yiddish, or “Yiddish of the Holocaust” – puzzled and intrigued the East European Jews who were experiencing the metamorphosis of their own tongue in real time. Sensing that Khurbn Yiddish words harbored profound truths about what Jews endured during the Holocaust, some Yiddish speakers threw themselves into compiling dictionaries and glossaries to document and analyze these new words. Others incorporated Khurbn Yiddish into their poetry and prose. In Occupied Words: What the Holocaust Did to Yiddish, Hannah Pollin-Galay uses cultural history, philology, and literary interpretation to explore Khurbn Yiddish as a form of Holocaust memory and as a testament to the sensation of speech under genocidal conditions.

Join YIVO for a discussion with Pollin-Galay about this new book, led by historian Samuel Kassow.

Buy the book: here

This book talk originally took place on December 2, 2024.
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Abdelwahab Meddeb’s Returns to Marrakesh, co-translated by Claudia Esposito and Laura Reeck and published by Syracuse University Press in 2026, chronicles Meddeb’s successive visits to the Red City from 1968 through the 1990s, tracing both his personal journey and Marrakesh’s transformation across three pivotal decades. Through his distinctive blend of poetic prose and attentive observation, Meddeb portrays the city as a historical crossroads shaped by Jewish and Muslim communities, different social classes, Sufi mystics, merchants, and travelers—a richly layered urban space in which cultures, histories, and spiritual traditions continually intersect. Presented in a bilingual edition featuring the original French alongside the English translation, the book introduces a wider readership to the work of one of North Africa’s most significant literary and intellectual voices.

In this episode, Ibrahim Fawzy sat down with Esposito and Reeck to discuss Meddeb’s distinctive literary and intellectual presence, his movement across languages, cultures, and spiritual traditions, and his intimate portrayal of Marrakesh. They also explore the collaborative process of translating his multilingual, layered prose and consider how translation can extend—and even renew—a writer’s literary afterlife.

Claudia Esposito is associate professor of French at the University of Massachusetts, Boston. She is author of The Narrative Mediterranean: Beyond France and the Maghreb.Laura Reeck is an independent translator and scholar. She is the author of Writerly Identities in Beur Fiction and Beyond and coeditor of Post-Migratory Cultures in Postcolonial France.

Ibrahim Fawzy is an Egyptian literary translator and writer. He is the translator of Hassan Akram’s A Plan to Save the World (Sandorf Passage, 2026).
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Casting War As Love: Russian Colonialism in Familial Terms
(Palgrave Macillan, 2026) by Dr. Galina Bogatova unpacks the hidden
imperial logic behind Russia’s dominance over its neighbors,
revealing how the Kremlin weaponizes "familial system" myths to justify
control, including its full-scale invasion of Ukraine. From the Tsarist
empire to Putin’s digital propaganda, Dr. Bogatova examines how Russia
portrays itself as a disciplining “father,” a self-sacrificing “mother,”
or an “elder brother” to post-Soviet states, protecting, subjugating,
and manipulating them in the name of unity. 

Blending
psychology, discourse analysis, and historical inquiry, this
groundbreaking book exposes how language sanitizes oppression,
legitimizes conquest, and sustains imperial ambitions. A
thought-provoking exploration of power, ideology, and resistance, it
offers a fresh perspective on Russia’s enduring influence over its
former empire.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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A psychological Arabic novel in English translation, The War by Mohamed Alyahyai follows a man who begins to question whether he is truly the one who returned from war.

On a winter night, Issa Saleh prepares a small gathering at his home. By the end of the evening, they are gone—and he is no longer certain they were ever there.

As memory fractures, the war resurfaces not as event but as instability, where identity itself begins to slip and the narratives that sustain survival unravel.
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Camille’s Lakou (Vanderbilt UP, 2025), a novel by Guadeloupean writer and educator Marie Léticée, tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromanefrom the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakoushifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.
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