Wedgehead Pinball Podcast

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In this second episode with legendary pinball sound designer Dan Forden, we actually go through his career and listen to the music that he composed and created for many well known and iconic pinball machines. This is a good one!
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In this episode I speak with Dan Forden, another legend of both the videogame and pinball industry. Whilst undoubtably known best for the Motral Kombat video game series, he also worked on a ton of pinball machines at Williams/Bally during the late 80s-90s golden era including: Bad Cats, Black Knight 2000, Mousin Around, Roller Games, Bride of Pinbot, Getaway: High Speed 2, Star Trek: Next Generation, The Shadow, No Fear, Safecracker…and a couple real obscure Brian Eddy games called Attack From Mars, and Medieval Madness!
TOPcast Interview from 2010
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On this episode of the show we are joined by an old school pinball collector and international man of mystery, Tom Rader, who came onto the show to discuss his favorite pinball era of all time: Williams single player EM machines with their unusual looking upside down pear shaped heads.  Most collectors now just refer to them as the "Reverse Wedgeheads" and we discuss all of them in this episode, along with designers Steve Kordek and Norm Clark, and even get into some long standing mystery over exactly who the artists were on some of these games.
Since these games are pretty rare to see in the modern day, our guest made a handy pdf with links to all the IPDB pages so you can follow along visually: Reverse Wedgeheads
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Help support the show and receive a link to our private discord server: ko-fi.com/wedgeheadpodcast
Alex is doing a second best game episode for best game ever since apparently, he's confused about the definition of "best game ever" actually means...
In this episode we discuss the 1993 Williams Classic Barry Oursler game: Bram Stoker's Dracula and what makes it so great.
But be warned, the swearwolves were in full effect on this episode...this is your adult content warning.
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In this episode we explore the role that physical layout and shot geometry has on the overall feel of a pinball machine. We discuss the classic spectrum of two genius designers who operated largely on opposite sides of the spectrum, Steve Ritchie and Pat Lawlor, and Alan discusses why if he doesn't like the way a game physically shoots, then he will NEVER enjoy that machine at all.
But as per usual, adult language is used. This is your warning. 
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