Outskirts Film Podcast

Wet lovers, sex hunters, tattooed flowers, feline nights… This week on the podcast, we're tackling Nikkatsu's Roman Porno line—the cinematic desire machine launched by one of Japan's oldest and most prestigious studios, which produced more than 800 softcore erotic films in the 1970s and 1980s. Operating under a set of rules that both constrained and contributed to artistic freedom, Roman Porno allowed many young and ambitious filmmakers, screenwriters, and cinematographers to develop their craft.

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On the podcast this week, we're talking about Jocelyne Saab, a pivotal figure in the history of Lebanese cinema, whose pioneering work shifted between television reportage, documentary, ripped-from-the headlines popular cinema, photography, and gallery work across a career shaped by Beirut and the Lebanese Civil War. Her early films captured this upheaval, the Palestinian liberation struggle, and other crucial regional political happenings of the time with rare immediacy, while her later work grappled, often imperfectly, with the question of how images can bear witness to and carry traces of living history.

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This week, Outskirts Film Podcast ventures into the catalogue of one of Turkey’s most prolific filmmakers, Atıf Yılmaz. A journeyman filmmaker to the bone, Yılmaz made more than a hundred films, ranging from melodramas and historical epics to musicals and psychological character studies. Through a selection of films that exemplify different periods and trends within his five-decade-long career, we only scratch the surface of his convoluted filmography, with numerous other films remaining to be discovered.

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One of the undeniable masters of 1980s and 1990s cinema, Taiwanese filmmaker Edward Yang has only grown in stature since premiering Yi Yi at Cannes in 2000 and his untimely death in 2007. This week on the Outskirts Film Podcast, we revisit Yang’s seven films—drifting through Taipei’s glass office towers and bustling streets, tracing lives caught between intimacy and urban alienation—and set out in search of our own path through these dazzling formal labyrinths.

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This week on the Outskirts Film Podcast, we slip on the silver mask and enter the gloriously low-budget universe of El Santo, eternal protector of Mexican cinema and unquestionably the greatest luchador-film star of all time. Spooky castles, mad scientists, mind-controlled zombies, sexy vampire women, and bravura international art heists: a whole, wide world of Santo - folk poet of lucha libre - awaits you.
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