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Every Single Sci-Fi Film Ever*

Ayesha Khan
Every Single Sci-Fi Film Ever*
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64 épisodes

  • Every Single Sci-Fi Film Ever*

    The Face of Another 1966: Scars & Identity in Post War Japan

    21/06/2026 | 59 min
    Trigger warning: This discussion includes talk about sexual assault and sexual violence. This is a theme apparent in the film and the source material. It is mentioned a few times. The topic is not spoken about in detail, but I wanted to share a general trigger warning for those that would prefer to avoid the topic altogether.
    Subtitles for the intro: "It's not that I specialise in treating fingers. I'm a psychiatrist in fact. Inferiority complexes dig holes in the psyche, and I fill them in."
    As always, there are spoilers ahead!
    You can follow the podcast on social media on Threads, Instagram and Bluesky.
    If you have fancy pants and would like to be a patron of the podcast please do! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm
    If you are interested in the plot of the film you can read an overview on the wikipedia page here. 
    In 1964 Director Hiroshi Teshigahara's film Woman in the Dunes won the Special Jury Prize at Cannes. The film was the second of four in which Teshigahara would collaborate with writer Kōbō Abe.* 
    The Face of Another rode the coattails of Woman in the Dunes but was nowhere near as successful. Although both films have a very bleak undertone, The Face of Another feels more jarring and less abstract in its confrontations.
    The story is of a man horribly disfigured from an accident in the lab where he works. He manages to find a possible solution to the isolation and desperation he experiences when he is given the opportunity to have a new face with which to navigate life.
    The story has many philosophical themes set in a Japan that is still wrangling with its post war cultural identity. 
    Thankfully I have managed to procure two big brained and generous guests!
    Roger Luckhurst is a Professor at Birkbeck, University of London. He has written/edited numerous articles and books on cultural history and film.
    Jennifer Coates is a Professor of Japanese Studies at the University of Sheffield. She has written extensively about Japanese cultural history and cinema and is the President of the British Association of Japanese Studies.
    During the intro to the show I mention a video essay that I watched during research for the film which I found very interesting. You can find it here: https://www.youtube.com/watch?v=yarOXWeZlzY
    Although this is not directly relevant to the film, one of the earliest shots is an x-ray of a skull in conversation. This is reminiscent of the very early 1996 film usually known as Macintyre's X-Ray Film.  Just a small historical film curiosity which you might be interested in. You can find it here: https://www.youtube.com/watch?v=SqMYHawAKmA
     
    Chapters
    00:00 Introduction
    01:35 Source Material: Kobe Abe's book
    06:33 Abe and Teshigahara's collaboration: Woman in the Dunes
    07:38 Face Masks
    10:55 The manufactured Japanese New Wave
    14:31 Japan in the 1960s
    19:39 Alienation and Philosophy
    24:47 Boundaries and skin
    26:17 Moral boundaries
    30:52 The skin, Japan and saving face
    34:14 Scarring and the bomb
    41:05 Identity and Japan
    47:40 Visual delights
    52:46 Legacy
    55:03 Face transplants
    56:51 Recommendations
     
    Recommendations:
    When the Woman Ascends the Stairs (1960)
    Eyes without a Face (1960)
    Suture (1993)
     
    NEXT EPISODE!
    Next episode we will be having a giant sprawling chat about the scientist Bernard Quatermass. You can watch the three earlier Quatermass films, The Quatermass Xperiment (1955), Quatermass 2 (1957) and Quatermass and the Pit (1967) in all sorts of places including major streaming platforms. The series (if you want to get really nerdy about it) are available as a boxed set on Apple TV and from other retailers. At least some of those episodes are available on YouTube. The first season of the TV series (1953) only has a few episodes as the rest were lost forever!
  • Every Single Sci-Fi Film Ever*

    Blade Runner: Paul Franklin's Favourite Sci-Fi Film

    07/06/2026 | 46 min
    As always there are spoilers ahead!
    Blade Runner was not a huge hit in 1982 but it did gain a fair few fans on its initial release. One of those fans was a teenager from Cheshire by the name of Paul Franklin who would go on to work on numerous big budget films and win two Oscars for his work as a Special Effects Supervisor on Interstellar and Inception.
    I spoke to Paul about his first impressions of the film, what makes it special and how it influences Batman Begins and The Dark Knight Rises.  
    Apologies for the abrupt ending to this episode. It is late, I've been quite busy and I have other work I really must tend to. Details of the next episode at the bottom of the show notes. 
    You can follow the podcast on social media on Threads, Instagram and Bluesky.
    If you would like to support the podcast you can become a patron and for £3 or $3 a month you can get ad free versions of the show. https://www.patreon.com/everyscififilm
     
    Chapters
    00:00 Intro
    01:47 Paul's first impressions
    07:11 Influences on Blade Runner
    14:01 Syd Mead's design
    17:52 A future without Blade Runner
    21:28 PK Dick & Do Androids Dream of Electric Sheep
    23:36 The plight of the androids
    27:18 Deckard as replicant
    32:01 Influence of Blade Runner on Paul's work
    40:45 Vangelis
    41:58 ET vs Blade Runner
    NEXT EPISODE!
    Next episode we will be discussing the rather striking and uncomfortable 1966 Japanese film The Face of Another. The film is available on Criterion Channel in the US and Canada and on YouTube.  You can check the Just Watch website to see where the film is available in your region.
  • Every Single Sci-Fi Film Ever*

    Fantastic Voyage: Psychedelic Nanotech in 1966

    24/05/2026 | 57 min
    As always there are spoilers ahead!
    You can follow the podcast on social media on Threads, Instagram and Bluesky.
    If you would like to be a patron of the podcast and help an indie podcaster out, you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm
    An extra huge thank you to my wonderful guests as this episode had to be re-recorded due to a major problem with the audio file the first time.
    You can find the synopsis of the film on Wikipedia here: https://en.wikipedia.org/wiki/Fantastic_Voyage#Plot
    In 1966 20th Century Fox chose a steady pair of hands in Richard Fleischer (the son of animation superstar Max Fleischer) to helm what at the time was both the tiniest and the biggest science fiction adventure. Tiny because of the nano science storyline and biggest because of it being the most expensive science fiction film ever made (at that time) costing over five million dollars.  
    I talk to two top tier guests about the film.
    Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including his upcoming books Before Trek: Building American Science Fiction Television.
    Lisa Yaszek is Regents' Professor of Science Fiction Studies at Georgia Tech and has written/edited multiple books on science fiction including her upcoming book Mothership Rising: Afrofuturism in the Radium Age.
    Chapters
    00:00 Introduction
    01:40 Big budget scifi
    05:45 Richard Fleischer
    09:10 The history of Nanotech sci-fi
    16:41 Sci-fi and scale in cinema
    19:42 Richard Feynman and small science
    22:55 1950s influences
    25:53 James Bond and Spy-fi
    27:05 Psychedelic scifi
    31:22 Harper Goff, Disney and design
    33:36 1960s crew dynamics
    42:48 Asimov's novelisation
    44:24 Secularism vs religion
    46:52 Legacy
    52:57 Recommendations
     
    Recommendations:
    The Diamond Lens by Fitz-James O'Brien (which can be found here)
    Surface Tension by James Blish
    Microcosmic God by Theodore Sturgeon
     
    Dr Cyclops (1940)
    The Incredible Shrinking Man (1957)
    Honey I Shrunk the Kids (1989)
     
    NEXT EPISODE!
    Next episode I will be speaking with Oscar winning Special Effects Supervisor Paul Franklin to discuss his favourite sci-fi film Blade Runner (1982). Paul has worked on an array of blockbusters including The Batman Begins trilogy, Venom (2018), Inception (2010) and Interstellar (2014).
  • Every Single Sci-Fi Film Ever*

    Fahrenheit 451: Truffaut's 1966 Suburban Dystopia

    10/05/2026 | 56 min
    Show notes 
    As always there are spoilers ahead!
    You can follow the podcast on social media on Threads, Instagram and Bluesky.
    If you would like to be a patron of the podcast and feel like nobility funding the podcasting arts, I would like to encourage such sentiments! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm
    If you are interested in the plot of the film you can read an overview on the wikipedia page here. 
    In 1953 writer Ray Bradbury released his magnum opus Fahrenheit 451. It quickly became a widely acclaimed cautionary tale about the dangers of censorship, authoritarianism and the effects of mass media on human ideas and connection. 
    One of the most prominent science fiction books it is easy to understand why François Truffaut, one of the French New Wave's most prominent directors, became utterly focused on making the story into a film. 
    The process had its challenges with producers, funding and a casting changes causing delays. The film was finally wrapped up and released in 1966 to both positive and negative reviews. It is an interesting watch if not a gripping one and my two expert guests unravel the ins and outs of how it came to be. 
    Ian Scott is a Professor of American Film and History at The University of Manchester. He has written extensively about politics and film in Hollywood including the book American Politics in Hollywood Film.
    Phil Nichols is a visiting lecturer at the University of Wolverhampton and a researcher with a special interest in Ray Bradbury. He is Senior Consultant to the Ray Bradbury Centre at Indiana University and editor of The New Ray Bradbury Review. He is also the man behind the Bradbury 100 podcast and the Science Fiction 101 podcas
    Chapters
    00:00 Introduction
    01:32 Fahrenheit 451: a sci-fi heavyweight
    04:36 Truffaut and the book
    11:03 Suburban scifi in the mid century
    13:33 Politics of the story
    15:07 Truffaut's perspective
    20:01 Julie Christie's double role
    26:50 Searching for Montag
    34:29 Burning with her books
    39:12 Bernard Herrmann's score
    40:40 The 2018 remake
    49:56 Bradbury's stage play
    51:37 Recommendations
     
     
    Recommendations:
    Never Let Me Go (2010)
    The Wild Child (1970)
     
    NEXT EPISODE!
    Next episode we will be discussing Fantastic Voyage from 1966! The film is annoyingly a little tricky to find online but can be rented easily on mainstream platforms in some countries. You can check the Just Watch website to see where it is available in your region.
  • Every Single Sci-Fi Film Ever*

    Seconds 1966: Rock Hudson's Devastating Disillusionment

    26/04/2026 | 58 min
    As always there are spoilers ahead!
    You can follow the podcast on social media on Threads, Instagram and Bluesky.
    If you would like to be a patron of the podcast and get that amazing feeling of wellbeing that comes from contributing to the research, planning and anxiety that does towards making a podcast I would love to encourage it! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm
    Seconds is a visually striking and thoroughly uncomfortable film. A 1960s film that examines dissatisfied suburban living, mid-life crisis and the yearning for youth and freedom. I think it's vastly underrated which is probably something both of my genuinely amazing guests agree with. (Apologies for not offering more of a counterpoint to this view!)
    Mark Bould is a professor of Film and Literature at the University of West England, Bristol. He has written/edited extensively about science fiction cinema.
    Sherryl Vint is Professor of Science Fiction Media Studies at the University of California, Riverside. She has also written/edited extensively about science fiction.
    Chapters:
    00:00 Introduction
    01:31 Frankenheimer's fantastic films
    05:55 Science fiction in the 60s
    07:55 The striking work of James Wong Howe
    12:18 Saul (and Elaine) Bass credits
    14:42 Mid Life Crisis in the 1960s
    19:20 Dissatisfaction in the middle class
    21:38 The Tennis Trophy
    24:40 Rock Hudson and John Randolph
    31:54 The Wine Stomp
    37:02 Corporation as "The Monster" and PK Dick
    38:48 Frankenstein and face surgery
    41:44 The business model and Tech Bros
    45:08 Legacy
    50:39 Trivia tidbits
    53:51 Recommendations
     
    Recommendations:
    Phase IV (1974)
    Face of Another (1966)
    Mark also mentions: Eyes Without a Face (1960) and Darkman (1990)
     
    NEXT EPISODE!
    Next episode we take a dive into the 1966 François Truffaut science fiction film Fahrenheit 451. The film is very annoyingly tough to get hold of on streaming platforms but can apparently be found on Fandango and you can search the Just Watch website to check where it might be available in your region. You can buy the DVD quite easily for not extortionate prices in many places. There do seem to be dodgy websites that also have the film but obviously I would never encourage you to search for such things.
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À propos de Every Single Sci-Fi Film Ever*
The Every Single Sci-Fi Film Ever* podcast looks back at more than a century of films, beginning in 1902 and working towards the future. Each episode focuses on a film, director or theme and brings in experts to discuss the history, politics, and influences. Join sci-fi enthusiast Ayesha Khan as she travels through time and space, encounters aliens, and battles authoritarian regimes all from the comfort of your home planet. Released every two weeks*Almost Hosted on Acast. See acast.com/privacy for more information.
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