This Episode is a rebroadcast of Episode 030 with Tony Dunne and Fiona Raby, preceded and amended with various explications and questions posed to the Chesterbot container of the conversation's semantics. **Speculative Design Practice** Tony Dunne and Fiona Raby's design practice has evolved over time. Initially focused on conceptual models, they now also create prototypes. They find models give more creative freedom. Their work with complex technologies like biotech led them to embrace fiction and modeling. The term 'speculative design' emerged from their critical design work engaging science and tech. They value fiction for its own sake, not just for discussing the future or selling concepts. **Teaching Speculative Design** Dunne and Raby direct the Design Reality Studio at Parsons, teaching posthumanism, quantum theory and designed realities. They collaborate with faculty and choose their own research. They are writing a book on new ideas and approaches in design. **Interdisciplinarity and Collaboration** Dunne, Raby and Bleecker value letting disciplines interact in surprising ways while retaining disciplinary roots. Bleecker proposes a 'general seminar' where diverse people make sense of ideas together, as Dunne and Raby have long practiced. They hope design, science, tech and industry collaborate more, though science and tech currently do so more than design. **Representing Imagined Futures** They aim to represent imagined futures expanding beyond the typical narrow range. They explore 'impossible objects' and how constraints limit collective imagination. **Recognition and Validation** Dunne and Raby were delighted to receive the Royal Designers for Industry award, valuing its recognition of their trajectory, not just current work. They appreciate the range of practices recognized. Bleecker sees it as validating their creative practice.

Sascha Poflepp was a German artist, collaborator, and friend. We dedicated The Manual of Design Fiction to him. It's important not to forget his contributions to creative thinking and making. In that spirit, I managed to extract the audio tape from a panel I organized at SxSW back in 2010 on the topic of Design Fiction in which Sascha contributed a remarkably clear and cogent perspective through his own work. Also contributing to the panel were Stuart Candy, Jake Dunagen, Jennifer Leonard, Bruce Sterling, and myself. You can see Sasha's slides cued to his presentation here: https://youtu.be/XDp_TsKqk3o

Lila Feldman is a designer based in NYC. She received her BA in 3D Design: Product + Furniture from Northumbria University and her MFA in Design + Technology from Parsons School of Design. https://lilafeldman.com/ Lila and I discussed finding purpose in creative practice and how creativity, imagination, and a futures-oriented mindset can help reinvigorate the potential for bringing about meaningful change through individual as well as team-based design practices. If you want to hear more of these types of conversations, become a Patron over at https://patreon.com/nearfuturelaboratory. If you want to read more about creative practice and the approach I use here at Near Future Laboratory, check out all the books and artifacts from the future over at https://shop.nearfuturelaboratory.com, especially "The Manual of Design Fiction" and my follow-on book just released the other day, "It's Time To Imagine Harder: The Reader's Guide To The Manual of Design Fiction". (Plus there's the 10th Anniversary printing of a rejuvinated "TBD Catalog" — the product catalog from the future. Thanks for listening! _Julian

If you're curious to hear about what it takes to dream into, create, build, grow, maintain an independent creative studio and practice, you'll want to listen to this conversation with Che-Wei Wang and myself. We talk about the importance of creativity and how it can be used to create meaningful change, and the need for a balance between creativity and structure and how to create an environment that fosters collaboration. https://cwandt.com If you want to hear more of these types of conversations, become a Patron over at https://patreon.com/nearfuturelaboratory. If you want to read more about creative practice and the approach I use here at Near Future Laboratory, check out all the books and artifacts from the future over at https://shop.nearfuturelaboratory.com, especially "The Manual of Design Fiction" and my follow-on book just released the other day, "It's Time To Imagine Harder: The Reader's Guide To The Manual of Design Fiction". (Plus there's the 10th Anniversary printing of a rejuvinated "TBD Catalog" — the product catalog from the future. Thanks for listening! _Julian

This episode is a conversation with writer and noted architecture critic Geoff Manaugh, who has written for the The New York Times Magazine, The Atlantic, Wired, The New Yorker, The Guardian, The Financial Times Magazine, New Scientist, Cabinet Magazine, The Daily Beast, Wired UK amongst many other publications. He also co-authored with Nicola Twilley the book ‘Until Proven Safe: The History and Future of Quarantine, and A Burglar’s Guide to the City on the relationship between crime and architecture. And most recently, a ghost story he wrote called ‘Ernest’ back in 2017 was adapted for film and recently released on Netflix under the title ‘We Have A Ghost’, which was beautiful and fun and clever and I recommend you watch it after listening to this episode. Don't forget to like, write a review and share the podcast amongst your friends and colleagues, and support the podcast on https://patreon.com/nearfuturelaboratory Find all of our artifacts from the future, including 'The Manual of Design Fiction' over at https://shop.nearfuturelaboratory.com Thank you for listening!