Future Cities · Sustainability, Energy, Innovation, Climate Change, Transport, Housing, Work, Circular Economy, Education & Environmental Solutions

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that’s the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It’s New York’s biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people’s notion of Lincoln Center is because it’s a space that is very aspirational, which is a great thing.”
Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent sixteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.
(0:00) Reimagining Lincoln Center
(2:27) Art and the Human Experience
(4:40) The Curiosity of Childhood
(5:44) Alvin Ailey and the Pivot
(8:29) The Invisible Arts
(9:06) The Power of Public Theater
(17:03) Curation, Programming and the Art of Listening
(23:42) San Juan Hill and The Wall
(31:23) Art as the Oldest Technology
(35:02) globalFEST: Music and Connection
(38:20) Finding Universal Belonging
(41:20) The Gift of Pause
(54:27) A Collective Caretaking
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."
Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent sixteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.
(00:00) Reimagining Lincoln Center
(03:09) A Collective Caretaking
(03:47) The Technology of Human Creation
(04:20) The Curiosity of Childhood
(09:25) San Juan Hill and The Wall
(14:20) globalFEST: Music and Connection
(16:06) The Gift of Pause
(17:20) A Collective Caretaking
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast

If you live in a city, you’ve probably had that moment in the middle of the night. You hear a scratching in the walls, or you catch the glowing eyes of a raccoon peering out from a dumpster, and for a second, the concrete world feels a lot less 'controlled' than we like to pretend. We’ve been taught to think of cities as 'biological deserts'—places where nature goes to die. But my guest today, Dan Werb, says that’s a myth we tell ourselves to feel safe. Dan is an award-winning epidemiologist and a musician, and in his new book, Our Wild Familiars, he explores the 'synanthropes'—the wild creatures that aren't our pets, but aren't quite strangers either. They are the coyotes, the bats, and even the octopuses that are learning to use our cities as laboratories for their own rapid evolution. He’s also the author of The Invisible Siege and City of Omens.
(0:02) The unexpected biodiversity of urban areas and wild familiars
(1:18) What is a Synanthrope?
(4:15) The Myth of the Biological Desert
(8:04) The Ancestral Bond between early humans, ravens, and foxes
(9:15) Crows and Grudges
(12:42) Stepping Stones in the Concrete
(14:20) The Epidemiological Triangle
(17:58) The Illusion of AI Connection
(19:56) The Museum of Memory
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.”
Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture. Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape.
After honing their craft under two of the world’s most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance, interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember?
They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it’s about shaping relationships: between people, between past and future, between technology and craft.
(0:04) The Intuitive Knowledge of Living Art
(4:24) The Medina and the Geometry of Childhood
(8:18) The Social Spaces of Rooftops
(13:46) The Intuitive Knowledge of Living Art
(15:31) Contextual Echoes & Traces of the Site
(19:18) The Twin Dynamic and Confrontation with 'l'autre'
(26:42) The Temples of Water
(33:24) The Mosque as Pure Spatiality
(38:01) The Crisis Period and Structural Systems
(48:24) Building Culture with Yves Saint Laurent & Pierre Bergé
(51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building
(57:02) Preserving the Human Core of Expression
(1:04:29) Urban Acupuncture in the Modern City
(1:08:46) The Smells and Sounds of Home
(1:10:02) Balance, Nature, and Sisterhood
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast

Today, we examine how we will adapt to a changing climate and learn to listen to the Earth.(0:00) Abrahm Lustgarten(Reporter, ProPublica) (3:00) Jon Gertner (Author, The Ice at the End of the World) (5:32) Bill Hare (CEO, Climate Analytics) (6:35) Rob Nixon (Prof. Environmental Humanities, Princeton) (8:12) Louis de Jaeger (Co-founder, Food Forest Institute) (10:06) Kathleen Rogers (Pres., EarthDay.org) (11:31) Rebecca Tickell (Filmmaker, Groundswell) (13:42) Ben Goldfarb (Author, Crossings) (14:56) Jane Madgwick (CEO, Plantlife International) (19:23) Jason deCaires Taylor (Sculptor, Underwater Museums) (21:02) William McDonough (Architect, Cradle to Cradle) (23:19) Euan Nisbet(Scientist, Royal Holloway) (26:06) Roland Geyer (Author, The Business of Less) (28:15) Ron Gonen (CEO, Closed Loop Partners) (29:34) Paul Shrivastava (Co-President, Club of Rome) (30:14) Carlo Ratti (Architect, Dir., MIT Senseable City Lab) (31:24) Osprey Orielle Lake (Founder, WECAN) (32:38) Liza Featherstone (Journalist) (33:41) Yolanda Kakabadse (Fmr. President, WWF)
For more, listen to their full interviews
Episode Site: https://www.creativeprocess.info/interviews-featured/anth-regen