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Welcome back to the WAYW New Hollywood Film Project! Alex and Nick break down one of their shared favorite films of all time, Stuart Rosenberg’s “Cool Hand Luke.” Topics include Paul Newman’s best performances, all the film’s iconic scenes (The Car Wash, Arletta, 50 Eggs, etc.), the ceaseless quotable lines, bucking back against authority, influence on other prison films, the marvelous 4K, and much more.
For WAYW, the guys review Olivia Wilde's new film, "The Invite."
Part 11 of the WAYW New Hollywood Film Project.
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Alex and Nick rave about Christopher Nolan’s latest film, “The Odyssey.” The guys break down the huge cast, IMAX 70mm screenings, Matt Damon’s best performances, the movie’s astounding set pieces, the score, the practical effects, Oscar chances, and so much more. 
Later in the episode, the guys re-rank all of Christopher Nolan’s films.
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“Whiplash” contains Nick’s favorite movie ending. Ever. This episode begins with Alex and Nick breaking down Damien Chazelle’s “Whiplash.” The guys discuss the film’s lasting popularity, Paul Reiser’s face, cruel brothers, evil teachers, sociopathic bosses, and why J.K. Simmons’ Oscar-winning performance is one of the greatest villains in cinema.
In the second half (01:35:20), the guys discuss the ending of “Whiplash” in depth and list their favorite movie endings.
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Our first official Steven Spielberg episode! Alex and Nick begin by describing the first Spielberg film they saw, and how it impacted them (04:42).
Next, the guys (briefly) review Spielberg’s latest film, “Disclosure Day” (23:20).
In the back half of the episode, Alex quickly goes through Spielberg’s entire filmography (46:06) before both guys list their Top 10 favorite Steven Spielberg films (01:19:09).
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This episode features the most scorching NDHT (Nicholas Dostal Hot Take™) in the history of the pod. Few modern directors have been as impactful as Damien Chazelle. Alex and Nick have a blast diving into Chazelle’s small but remarkable filmography. Stray topics include Justin Hurwitz’s score in “Guy and Madeline on a Park Bench,” the “Whiplash” short film, the lasting magic of “La La Land,” the sound in “First Man,” the cultural reclamation of “Babylon,” and much more.
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