In Film We Trust

On this episode I'm joined by musician and writer Tony O'Neill. Tony rose from working class Blackburn to playing keyboards with Marc Almond, The Brian Jonestown Massacre and Kenickie. But that's only the beginning of his story. After falling into serious drug addiction, he pivoted and became a respected man of letters, writing underground classics such as Digging The Vain and Sick City - and Tony and I delve into his work, his crazed Hollywood experiences that involve Courtney Love and a memorable night with Ron Jeremy!
So it's appropriate that he jumps aboard IFWT to discuss Matthew Brights, often maligned, arthouse meets trashterpiece, Freeway 2: Confessions of a Trickbaby, starring Natasha Lyonne as 'White Girl', a young woman thrust into the penal system, before escaping with fellow inmate Cyclona, and heading on a twisted road trip filled with murder, necrophilia, drug abuse and a sinister Sister Gomez, played but the iconoclastic Vincent Gallo.

You can find Tony online at: Tonyoneill.net
Instagram: @tony_oneill_writer
And you can pick up his latest short story collection Forged Prescriptions wherever you buy your books.

If you're a regular listener to this podcast you will know we (alongside Rolo Tony) dived into each of the directorial works of Larry Fessenden - from No Telling all the way to Blackout. We discussed the polemics, the recurring themes, his use of, and subverting, classic monster movie tropes.
But now the time has come to talk with the man himself. How did the environment of his youth form his taste, his polemics and his drive for a sense of justice. The very nature of filmmaking, being the unofficial Godfather of the 'Mumblecore genre', all the way down do his acting roles.
Oh, and he definitely drops some teasers on his upcoming film Trauma, Or Monsters All, that brings together his monster movies Habit, Depraved and Blackout.
Enjoy!

Author of Psychedelic Cults and Outlaw Churches, Mike Marinacci joins the show this week to discuss Pierre Sogol's, unfinished, and officially unreleased documentary, Aquarius Rising.
Aquarius Rising charted the counterculture scene - communes, psychedelics - of California circa 1967, filmed very much in a home video style, with the director often inserting himself into the documentary. But who exactly is Sogol? Most know that 'Pierre' Sogol' is a pseudonym, but luckily Mike drops the details who exactly this enigmatic director is.
And because this film is technically unfinished, and somewhat scattershot, we use Aquarius Rising, more as a jumping off point, to discuss the lineage, influences and and the disparate figures that popped up in the counterculture of the 60s, and its lasting effect on the larger culture.
You can find the full documentary at PsychedelicSangha.org, and you can find Mike on Instagram at: @PsychedelicCults

IFWT is finally covering The Sultan of Sexploitation, Russ Meyer! And if that wasn't groovy enough, writer and connoisseur of all things cult, Heather Drain is here to discuss Meyer's bodacious, buxom and badass movie from 1975, SUPERVIXENS.
Supervixen's concerns the accidental sexploits of gas station worker Clint, who after being falsely accused of killing his girlfriend, hits the two-lane blacktop and finds himself in a series of sexual escapades, often to the ire of the men he encounters, primarily, corrupt cop Harry Sledge, played by the fantastically menacing Charles Napier.
And being a Meyer film, Heather and myself couldn't help share more than a few laughs, dive into the background of Meyer himself and discuss an assortment of periphery topics tangibly linked to the man himself.
You can find Heather Drain at:
heatherdrain.com
Instagram: @MondoHeather
X: @MondoHeather
Youtube: MondoHeatherDrain

This week I'm joined by author Scott West and Rif of the upcoming podcast Rocket Ships, Ray Guns & Rock n Roll, to discuss Alex Cox's incendiary debut, and truly punk film Repo Man.
One part conspiracy thriller, one part Sci-Fi mystery and 100% cult classic, Repo Man would catapult Emelio Estevez in leading man territory alongside certified greats such as Harry Dean Stanton.
With a soundtrack featuring punk greats such as Circle Jerks and Black Flag, and an original space age surf score by The Plugz, Repo Man wears its punk-rock credentials well, and myself, Scott and Rif try and decipher the meaning behind some of the themes and elements the film brings up, and may have accidently stepped into a conspiracy ourselves.