Extra Milestone – Classic Film Reviews

Celebrating 55 years since its release in 1966, Au Hasard Balthazar is considered by many to be one of the greatest films of all time, and yes, we’ve been long overdue to tackle a film from the one and only Robert Bresson, whose work has influenced filmmakers of all stripes for over half a century. The film stars Anne Wiazemsky a young French woman who develops a striking bond with a donkey she’s known since its birth, and we see a chronicling of her hardships as they parallel the inhumane treatment of Balthazar, a creature representing innocence in its rawest form.
MUSIC IN THIS EPISODE: Franz Shubert’s Piano Sonata No. 20 in A major, D. 959, as heard in Au Hasard Balthazar.
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Our film anniversary this month belongs to the romantic drama Charlie Chaplin once called “the greatest movie ever made about America.” That’s right, we’re diving into A Place in the Sun, starring Montgomery Clift, Elizabeth Taylor, and Shelley Winters, with supporting turns from Anne Revere and Raymond Burr. Directed by George Stevens and written by Harry Brown and Michael Wilson, this awards-heavy favorite among classic film lovers celebrates 70 years since premiering at the Cannes Film Festival in 1951, and it was the second film adaptation of the 1925 novel An American Tragedy by Theodore Dreiser, which was also a place of the same name.
MUSIC IN THIS EPISODE: The opening theme of A Place in the Sun, composed by Franz Waxman and Daniele Amfitheatrof.
LINKS
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This month on Extra Milestone, we jump back in time 75 years to discuss Gilda, a cult classic film noir starring Rita Hayworth, Glenn Ford, and George Macready. Directed by Charles Vidor and co-written by Jo Eisinger and Marion Parsonnet (with an uncredited contribution from Ben Hecht), the story is adapted from the work of E.A. Ellington, and it centers around gambling con man Johnny Farrell (Ford), whose amoral casino boss Ballin (Macready) surprises him with the revelation of his new, striking wife Gilda (Hayworth). We discuss the film’s resonant themes all these years later, its impact on the noir genre, and how the film relates to other iconic dramas from the era.
MUSIC IN THIS EPISODE: The opening theme of Gilda.
LINKS
Follow us on Twitter: Jon Negroni, Julia Teti
Check out our Cinemaholics Merch!
Leave us a voicemail using The “Swell” App. We post new prompts every week or so.
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This month’s Extra Milestone discussion is The Silence of the Lambs, which recently celebrated its 30th anniversary. We discuss the ongoing legacy of this perennial classic from director Jonathan Demme and screenwriter Ted Tally (adapted from the novel by Thomas Harris), including how it shaped the modern landscape of true crime filmmaking and left a lasting impact on perceptions of the transgender community. We also discuss the iconic performances of Jodie Foster, Anthony Hopkins, and Ted Levine, who portray Clarice Starling, Hannibal Lecter, and Buffalo Bill, respectively. Then finish with a deep dive on the film’s ending.
HOSTED BY: Jon Negroni and Julia Teti
MUSIC IN THIS EPISODE: The opening theme of The Silence of the Lambs.
ADDITIONAL READING:
Harmony Colangelo's piece for the AV Club: "30 years in, The Silence of the Lambs' Jame Gumb still deserves better"
Aja Romano's piece for Vox: "Understanding Silence of the Lambs’ complicated cultural legacy"

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For our first official milestone of 2021, we’re discussing Charlie Chaplin’s classic silent film City Lights, which this month celebrates its 90th anniversary since release. This long-celebrated romantic comedy was of course written, directed, and produced by Chaplin, who also stars in it as his iconic character, the Tramp. Along for the ride is Virginia Cherrill as the blind girl who wins the Tramp’s heart, Florence Lee as her grandmother, Harry Myers as the drunken millionaire, and plenty more.
HOSTED BY: Jon Negroni and Will Ashton
MUSIC IN THIS EPISODE: The opening music of City Lights and music from the final scene. All composed by Charlie Chaplin himself!

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