Final Girls

• Cecilia from The Invisible Man (2020)

  You can’t fight what you can’t see, unless you’ve already survived the worst. In The Invisible Man (2020), Cecilia Kass escapes an abusive relationship… only to be haunted by a presence that no one else believes exists. This week, we dive into Cecilia’s chilling Final Girl journey, unpacking how the film turns gaslighting into a literal monster, explores the differences between seeing and unseeing, and puts control and autonomy back into the hands of its heroine. We also explore the film’s unflinching portrayal of domestic abuse, isolation, and disbelief—and how Cecilia’s transformation feels real and unsettling, even from behind the safety and comfort of the screen.Spoiler Warning: The truth is visible, especially when it comes to The Invisible Man. This episode contains spoilers. Listen at your own risk.If you’re into Final Girls, a quick rating or review helps more horror fans find the show and reminds the algorithm we do exist.Theme by Max AnsonVisit us at www.final-girls.com

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• Dana from The Cabin in the Woods

  In The Cabin in the Woods, Dana thinks she’s headed for a weekend of fun with friends, but ends up in a bloody, mind-bending fight for survival where the real horror is who's pulling the strings. This week, we dig into Dana’s role as the archetypal Final Girl in a world that literally demands sacrifice, exploring how the film deconstructs horror tropes and leaves you with plenty of belly laughs along the way.We also talk gods, conspiracy, stoner prophets, and the stakes of Dana’s decision in the final moments.Here is the referenced episode of Who's There: A Podcast About Horror Fans.Spoiler Warning: The ancient ones demand blood and spoilers, so consider this your warning before you descend into the cabin’s basement.Love Final Girls? Leave us a rating or review—it helps more horror nerds find the pod, and might just spare us from global annihilation.Theme by Max Anson Visit us at www.final-girls.com

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• Ripley from Alien

  In space, no one can hear you scream—but Ripley makes damn sure they hear her survive. In Alien (1979), Sigourney Weaver redefined what a Final Girl could be: smart, resourceful, emotionally grounded, and completely unafraid to torch a xenomorph when it comes down to it. This week, we board the Nostromo and break down Ripley’s iconic status, how she shattered the gender norms of horror, and why her legacy still looms large over the Final Girls canon.We also explore the film’s themes of bodily autonomy, corporate exploitation, and fear of the unknown—and why Ripley remains the gold standard for survival when the monster isn't just in the shadows, but inside the system.Content Note: There is a discussion about sexual violence as a major theme in this film.Spoiler Warning: There are some things lurking in the vents—like Alien spoilers. Listen at your own risk.If you’re loving Final Girls, a quick rating or review helps other horror fans find the pod—and it means we don’t have to send a distress signal to deep space.Theme by Max Anson

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• Brigette from Ginger Snaps

  Blood is thicker than water—and sometimes it’s also a curse. In Ginger Snaps (2000), Brigitte Fitzgerald isn’t just watching her sister Ginger transform into something monstrous—she’s being pulled into the change right alongside her. This week, we sink our teeth into one of horror’s most iconic sister duos, exploring how Brigitte’s quiet strength, loyalty, and desperation to save Ginger make her a deeply compelling Final Girl.We also dig into the film’s darkly brilliant metaphor for puberty and how Brigitte’s journey forces her to navigate the blurry line between codependence and survival. Werewolves, blood pacts, and suburban dread—this one has it all.Spoiler Warning: This episode is full of transformations, trauma, and Ginger Snaps spoilers. You’ve been warned.If you’re digging Final Girls, rating and reviewing the show helps more horror lovers find us—and keeps us from going full werewolf.Theme by Max AnsonVisit us at www.final-girls.com

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• Naru from Prey

  Long before Dutch faced the Predator in the jungle, Naru was already rewriting the rules of the hunt. In Prey (2022), Amber Midthunder brings fierce intensity to Naru, a young Comanche woman determined to prove she’s more than what her tribe expects of her. This week, we track Naru’s journey from underestimated healer to full-fledged warrior, discussing how the film flips the franchise’s macho legacy on its head and celebrates Indigenous resilience, skill, and survival.We also dive into how Prey honors Final Girl tradition while pushing it forward—because Naru isn’t just surviving the Predator, she’s challenging the gendered and colonial expectations placed on her from the start.🩸 Spoiler Warning: We’re spilling guts and spoilers—so watch Prey before pressing play.If you’re loving Final Girls, help us out by rating and reviewing the show—it helps more horror fans (and aspiring warriors) find us.🎵 Theme by Max Anson 💻 Visit us at www.final-girls.com

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