Powered by RND
PodcastsMusiqueDubmatix Sticky Icky Reggae Mix

Dubmatix Sticky Icky Reggae Mix

Dubmatix
Dubmatix Sticky Icky Reggae Mix
Dernier épisode

Épisodes disponibles

5 sur 180
  • Gussie Clarke: The Producer Behind Roots and Digital Classics
    There are so many artists and songs that pass through our ears, but rarely do we know who’s behind the music. The sounds we gravitate to, that we identify with, and that is part of what I try to do here on Bass Culture - pull back the curtain and find out who helped shape an album or entire generation - Gussie Clarke is one of those “wizards of oz” - a man who helped shape hit after hit, that still spin on turntables and sound systems today. His career has spanned decades, but for this mix, I’ve focused on his earlier productions from the 70s and early 80s, before the digital age of reggae took over. Brief Overview of Gussie and his life Augustus “Gussie” Clarke is one of reggae’s true architects, someone who moved effortlessly from roots and early deejay culture into the digital era without ever losing clarity, musicality, or purpose. His story begins in a tiny dub-cutting room at 81½ Church Street, where he cut exclusive specials using a Treasure Isle lathe and quickly realized he could shape entire records if he controlled the rhythm, the vocal, and the final mix. Early productions like U-Roy & Errol Dunkley – The Higher The Mountain and album-defining moments such as Big Youth – Screaming Target and Gussie Presenting I-Roy showed how he could turn raw sound system energy into cohesive, groundbreaking albums. Through the 1970s, he built a warm, balanced catalogue with artists like Gregory Isaacs, Dennis Brown, Leroy Smart, Hortense Ellis and Roman Stewart, deep lovers cuts, roots anthems and rhythm tracks that felt soulful and timeless. Clarke wasn’t just making music; he was building infrastructure through publishing, label management and distribution, which gave him complete creative control and the freedom to reinvest in better equipment and bigger ideas. By the early 80s, he was pushing roots harmony groups like The Mighty Diamonds into modern territory, updating arrangements with drum machines and synth bass while keeping the music's heart intact. PLAYLIST U-Roy; Big Youth – The Higher The Mountain Leroy Smart; Gussie Clarke – Mixed Up Gussie Clarke – Funny Feeling Augustus Pablo – Classical Illusion (12” Version) Jacob Miller – Girl Don’t Come I-Roy; Gussie Clarke – Coxone Affair (2025 Remaster) Gussie Clarke – One Way Tommy McCook – The Right Track Delroy Wilson – How Can I Love Someone Big Youth – Screaming Target Dennis Brown – Funny Feeling Trinity – Love The Daughter Roman Stewart – Try Me Mikey Dread – Proud to Be Black Mighty Diamonds – Pass the Kouchie Gregory Isaacs – My Time
    --------  
    1:02:00
  • Dirty Funky Nasty Bad
    Let’s start with the title of this mix, “Dirty Funky Nasty Bad” - a long-time friend of mine with a great sense of humour would keep all of us howling with laughing, doing bits and saying random shit dropped this line in one of those moments and it’s stuck with me for decades (thanks Kento). I love raw-sounding music; not overproduced or mixed, just pure edgy sonic bliss, which is what I based this playlist around- in yer face funk. dirty (raw) funky (poppin' groove that doesn’t let up) nasty (pushing the levels a little hard to induce sweet saturation) bad (this jam is one bad mofo). PLAYLIST Soul Toronados – Hot Pants Breakdown Eddie Bo; The Soul Finders – The Hook & Sling - Vocal Mix Soul Vibrations – The Dump Larry Ellis; Blackhammer – Funky Thing - Pt. 1 Billy Garner – Brand New Girl Marva Whitney – In The Middle Leroy & The Drivers – The Sad Chicken Charles Bradley; Menahan Street Band – Stay Away Duracha – Ghet-to Funk Wess & The Airedales – Blackout Lefties Soul Connection – Doin’ the Thing Little Royal – Razor Blade Whitefield Brothers – Rampage Lefties Soul Connection – Organ Donor The Fun Company – Zambezi, Pt. I & II Roy Porter Sound Machine – Party Time The Stovall Sisters – Hang on in There Bernard “Pretty” Purdie – Soul Drums Reuben Wilson – Inner City Blues
    --------  
    1:01:47
  • The Boogaloo Sounds of NYC’s 60s & 70s Latin Clubs
    Being a drummer and bass player, I gravitate towards the foundation of a song - the groove, percussion, and how instruments weave in and out of “the pocket”, be it the short offbeat guitar skanks heard in reggae or the syncopated piano stabs heard in Latin music. That’s what drew me to reggae - the lock-step agreement of groove between the bassist and drummer that allows the rest of the band, organ, vocals, guitars, etc, to either support the core riddim or thread around it, adding depth and melody. The same goes for funk, afrofunk, and other similar genres. They all have related musical elements - tight syncopated grooves, a throng of glorious percussion, and horn combos that add electric energy that elevates and excites you. There was a period in the 60s & 70s that set New York on fire, emanating from Spanish Harlem, The Bronx, and Lower East Side, and labels like Fania Records - boogaloo (bugalú). We’ve all heard the style and artists at some point, but what is boogaloo? I had to look it up myself, and here’s the definition. “Boogaloo was created by young Puerto Rican and African American musicians in New York City who mixed the music they heard on the radio, like soul and R&B, with Latin styles like mambo and son”. This is part one, so I invite you to use the comment section to share some of your favourites for part two in the future. PLAYLIST Eddie Palmieri – Vámonos Pa’l Monte Noro Morales – Vitamina Cal Tjader; Eddie Palmieri – Bamboléate New Swing Sextet – Mira Mama Mongo Santamaria; La Lupe – Montuneando – Remastered Johnny Colon – Mayenlle Boogaloo Assassins – Mi Jeva Ray Barretto – Mi Ritmo Te Llama Pete Rodriguez – I Like It Like That Joe Cuba Sextet – Que Son Uno Louie Ramirez – Cooking With Ali Joey Pastrana and His Orchestra – Orquesta Pastrana Orquesta La Moderna of New York – Picadillo Tito Puente – Salsa y Sabor
    --------  
    1:00:00
  • Reggae Meets Cumbia
    I had a show in Dresden years ago, and the opener was a DJ who played cumbia. When her set began, the dance floor instantly filled with people laying down synchronized dance steps, which was eye-opening and fantastic fun to watch. It’s inevitable that these two genres would merge, as Cumbia originated on the Caribbean coast of Colombia and includes African, Spanish (colonial), and indigenous influences that date back to the 16th Century. For this playlist, I went down the rabbit hole seeking groove enlightenment. PLAYLIST Lucky Salvadori; Chalart58 – Simulacro Ticklah – El Dia De Suerte (Dub) Joseph Cotton – Cumbia Party Yapunto; Taggy Matcher – El Mar y Ella (Taggy Matcher Remix) The Lions; Malik “The Freq” Moore; Black Shakespeare – Cumbia Rebel (Version) Quantic; Flowering Inferno – Te Pico el Yaibi (Version) Combo Lulo; Alba Ponce de León – Culebra Mentirosa Taggy Matcher; Kumbia Boruka – Cumbia Locura (Dub) Ticklah; Mayra Vega – Mi Sonsito (Feat. Mayra Vega) Aldubb; Dubmatix; Illbilly Hitec – Essential (Cumbia Mix) Lengualerta; La Basu; La Gorda Dubs; Cristrombon – Nik Baditut Sei Quantic; Flowering Inferno – Dub del Pacifico Frente Cumbiero; Mad Professor – Cumbietiope Flowering Inferno; Nickodemus; Zeb – No Soy Del Valle (Nickodemus & Zeb Remix)
    --------  
    59:30
  • Reggae Frequency: House Edition
    I’ve always seen/heard the parallel between reggae and house music—namely, the Steppers vs. 4-On-The-Floor groove, and have been drawn to that fusion of the two. Back in 2002, I’d slapped a King Tubby sample over a house beat, and it was a revelation to me (I can fuse this) that song that became Journey To The Center Of The Dub. The King Tubby sample was removed, but the idea remained. On the other side of the pond, in the UK and across Europe, this style was already established and in the clubs. I can’t profess to more than a surface-level knowledge, but after sifting through a lot of tracks, I put together this playlist of songs that I enjoyed. I encourage you to share some of your favourite house reggae tracks in the comments—include a YouTube link if possible. PLAYLIST Noiseshaper - We Rock It Francis Mercier & Black Uhuru - Welcome To Dinna Camouflage - Ramjock Block & Crown - Jam On (Original Mix) Sugar Hill, Wasabi, Terry Lex & Max Romeo - Chase the Devil Joeski - In This Life Bob Marley & The Wailers - Sun Is Shining (Fire House Mix) Junkie XL & Peter Tosh - Don’t Wake Up Policeman (feat. Peter Tosh & Friends) WIPP & Ini Kamoze - Here Comes the Hotstepper Mau P - MERTHER Liu & Alex O’Clock - Bad Boys KVSH & DVBBS - No No No Dreadzone, Gaudi & Earl Sixteen - Boundary (Gaudi Remix)
    --------  
    1:02:00

Plus de podcasts Musique

À propos de Dubmatix Sticky Icky Reggae Mix

Hosted by Dubmatix and showcasing the finest Sticky Icky Reggae tunes from around the globe — spanning dub to dancehall, rocksteady to roots, and every rhythm in between. Tune in weekly to experience the infectious beats that transcend borders.
Site web du podcast

Écoutez Dubmatix Sticky Icky Reggae Mix, S.D.F : Sorties du four ou d'autres podcasts du monde entier - avec l'app de radio.fr

Obtenez l’app radio.fr
 gratuite

  • Ajout de radios et podcasts en favoris
  • Diffusion via Wi-Fi ou Bluetooth
  • Carplay & Android Auto compatibles
  • Et encore plus de fonctionnalités

Dubmatix Sticky Icky Reggae Mix: Podcasts du groupe

Applications
Réseaux sociaux
v7.23.13 | © 2007-2025 radio.de GmbH
Generated: 11/23/2025 - 8:06:06 AM