Filmspotting

When Coyote vs. Acme was shelved in 2023 for a corporate tax write-off, the response from film fans was as swift as a roadrunner and as explosive as a pile of TNT. When it was picked up by another distributor (Ketchup Entertainment), the outrage turned to anticipation – justifiably so, say Adam and Josh. Plus, they honor the late Tim Curry with a review of The Rocky Horror Picture Show, and listeners weigh in with their favorite ‘90s movie villains, and more.
This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:02:36)
Coyote vs. Acme (00:02:37-00:33:49)
Filmspotting Family (00:33:50-00:39:12)
The Rocky Horror Picture Show (00:39:13-01:11:45)
Notes / Polls (01:11:46-01:30:30)
Credits / New Releases (01:30:31-1:34:25)
Notes:
Filmspotting’s Top 5 Needle Drops
-Spotify
-Spotify (52 Track Version)
-Apple Music
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With the new Oasis doc Don't Look Back in Anger coming soon to theaters—and inspiring this month's ⁠Movie Death Match⁠ (The Last Waltz vs. Stop Making Sense)—we're sharing Adam and Josh's Top 5 Music Docs from 2023.
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From the writer/directors of Game Night and Dungeons & Dragons: Honor Among Thieves, Apple TV’s Cold War comedy Mayday was a promising title on the 2026 streaming movie calendar. Unfortunately, Matt and Jordan agree that the film isn’t the equal to those earlier films (no thanks to a phoned-in performance from Ryan Reynolds), despite a clever premise and the presence of Kenneth Branagh, who is having the time of his life. Matt digs into Branagh’s strange career in the Rec Seg, suggesting an early Branagh effort (as both director and star) as an alternative, and Jordan answers with a film that finds Christian Bale as a fighter pilot caught behind enemy lines. Plus, Bran-agh Flakes!, a Jordan-hosted game.
(Timecodes will not be precise with ads.)
Intro (00:00:00–00:05:43)
Mayday (00:05:44–00:26:32)
Rec Seg! (00:26:33–00:44:40)
Game: Bran-agh Flakes (00:44:41–01:02:24)
New to Streaming / Credits (01:02:25–01:11:29)
Show Notes
Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠
Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠
Feedback: Email us at feedback@filmspottingSVU.com
Follow Matt on Blue Sky: @mattsinger.bsky.social
Follow Jordan on Blue Sky: @jhoffman.bsky.social
Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠
Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠
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Alexander Ullom’s feature debut, It Ends, has been billed as a horror movie, but it’s more of an existential exercise wrapped inside a genre premise. That same description could be applied to Solaris, though Andrei Tarkovsky’s 1972 science-fiction classic takes nearly twice as long to ponder the nature of life in a situation where death has no meaning anymore. So this week we’re discussing whether Solaris’ deliberate pace and opaque symbolism work toward or against its emotional core, its relative accessibility compared to Tarkovsky’s other work, and what about the film invites its reputation as the “anti-2001.” Then in Feedback, a listener brings an alternative reading to our recent discussion of War of the Worlds as a response to 9/11.
Please share your thoughts about Solaris, It Ends, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.
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Chris Klimek convenes a battle of the bands between two of the most acclaimed concert films ever made: Jonathan Demme's Stop Making Sense and Martin Scorsese's The Last Waltz.
One is a lean, propulsive document of Talking Heads at the height of their powers, transforming a live performance into something theatrical and strangely transcendent. The other is a star-studded farewell to The Band that expands beyond a single concert into a sweeping elegy for an era of rock and roll itself.
Arguing for The Last Waltz is Steven Hyden (Is This It: The Never-Ending Rise and Fall of The Strokes and Rock and Roll), who contends that Scorsese's film is more than a concert movie: it's the definitive cinematic statement on rock music and its mythology. Representing Stop Making Sense is Elizabeth Cantwell (Bright Wall/Dark Room), who makes the case that Demme's film remains the more immersive, inventive, and enduring work of cinema.
Is the greatest concert film about a band, or about rock and roll itself? Which movie best captures the power of live music on screen? Choose your winner at moviedeathmatch.com.
CHAPTERS
Intro / Meet the Advocates (00:00:00-00:09:55)
Rd. 1 The Movies in Their Time (00:09:56-00:45:03)
Rd. 2 The Movies in Our Time (00:45:04-01:14:53)
Rd. 3 The Movies for All Time (01:14:54-01:29:55)
The Verdict / Credits (01:29:56-01:35:42)
More From Elizabeth:
-One Must Imagine Talking Heads Happy
https://www.brightwalldarkroom.com/2025/07/11/stop-making-sense-one-must-imagine-talking-heads-happy/
-Bright Wall/Dark Room Podcast
https://www.brightwalldarkroom.com/podcast/
-Assault on Precinct 13 and Schrödinger's Cat
https://www.brightwalldarkroom.com/2026/06/15/assault-on-precinct-13-john-carpenter-schrodingers-cat/
More From Steven:
-Indiecast
https://art19.com/shows/indiecast
-Evil Speakers | Substack
https://stevenhyden.substack.com/
-There Was Nothing You Could Do
https://www.dacapopress.com/titles/steven-hyden/there-was-nothing-you-could-do/9780306832062/
-Your Favorite Band Is Killing Me
https://www.hachettebookgroup.com/titles/steven-hyden/your-favorite-band-is-killing-me/9780316259156/
More From Chris:
Reviewing the opening of David Byrne’s 2008-9 Everything That Happens Will Happen Today tour for the Washington Post
Pop Culture Happy Hour: David Byrne’s American Utopia
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