Filmspotting

With the world’s Spidey sense activated by the latest Spider-Man installment (Marvel’s Spider-Man: Brand New Day), Adam and Josh look back at the webslinger’s first 25 years on the screen with their Top 5 Spider-Man Scenes. Yes, even Andrew Garfield gets some love.
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Intro (00:00:00-00:02:35)
Top 5 Spider-Man Scenes (00:02:36-00:41:30)
Filmspotting Family: ‘20s/’30s Madness — Round 2 (00:41:31-00:49:34)
Notes / Poll: Best Spidey Movie (00:49:35-01:03:38)
Top 5 Spider-Man Scenes, cont. (01:03:39-01:34:44)
Credits / Releases (01:34:45-01:37:59)
Links:
“When Mary Jane Kissed Spider-Man” | The Ringer
https://www.theringer.com/2022/05/03/movies/spider-man-kiss-tobey-maguire-kirsten-dunst
"Goodbye to the Lake Street Screening Room" | RogerEbert.com⁠https://www.rogerebert.com/features/a-home-away-from-home-goodbye-to-the-lake-street-screening-room
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Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain.
Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille
This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.
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Back in 2022, Adam and Josh gave Sam Raimi's Spider-Man the 20th anniversary Sacred Cow treatment.
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Jordan and Matt break format - and Zeus’s Law? - for an Odyssey-themed episode, including thoughts on the new blockbuster film, favorite Christopher Nolan films, and streaming recommendations inspired by the Homeric epic. And then a game, which Jordan dubs "My Big Fat Greek Filmspotting Game."
The Odyssey (00:00:00–00:23:33)
#1 Nolans (00:23:34–00:47:08)
Rec Seg: Odyssey-inspired recommendations (00:47:09–01:04:23)
Game: My Big Fat Greek Filmspotting Game (01:04:24–01:24:05)
New to Streaming / Credits (01:24:05–01:31:47)
Show Notes
Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠
Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠
Feedback: Email us at feedback@filmspottingSVU.com
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Story analyst Billy Mernit joins Michael Phillips to test one of Hollywood’s most enduring (and slippery) unofficial rules: Howard Hawks’ idea that a good movie is three good scenes and no bad ones.

Mernit, an instructor and writer known as the “guru of rom-com,” brings nearly three decades of reading studio scripts and a working knowledge of how films get evaluated before they ever reach the screen. Together, they dig into what makes a “good scene” in the first place.

Is Hawks’ dictum still useful? Or, like so many Hollywood rules, is it less a law of motion pictures than a reflection of how we choose to remember them?
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