The Last Thing I Saw

Ep. 411: Amy Taubin on Tribeca 2026 (Labrador: Autopsy of Silence, Jail Time Records, The Lorraine, Jean-Michel, Crocodile, They Fight, The Last Day), plus Romeria and I Love Boosters

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. As has become our wont, I had the total pleasure of talking over films from the 2026 Tribeca Festival and other recent viewing with the one and only Amy Taubin. She shares a few Tribeca highlights (a couple of which won prizes at Tribeca) and also spotlights a couple of theatrical releases. Titles discussed include Labrador: Autopsy of Silence (directed by Rodrigue Jean), Jail Time Records (Dione Roach and Steve Happi), The Lorraine (Sam Pollard), Basquiat doc Jean-Michel (Quinn Whitney Wilson and Viridiana Lieberman), Crocodile (Pietra Bretkelly and The Critics), They Fight (Sheldon Candis), The Last Day (Rachel Rose), plus Romería (Carla Simón) and I Love Boosters (Boots Riley). But it all starts with the Knicks.

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Photo by Steve Snodgrass

Ep. 410: Caroline Golum on The Nitrate Picture Show 2026: Midnight, The Little Match Girl, When Tomorrow Comes, Bellissima, and much more

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Nitrate Picture Show at the George Eastman House has become an annual pilgrimage for film lovers, who come to see an array of titles from Hollywood and beyond, shown on prints, each with its own history. This year I chatted with Caroline Golum, director of Revelations of Divine Love, co-programmer of Pre-Code Parade at Nitehawk Cinema, and contributing editor at Screen Slate, where she filed a report on this year’s edition of the Nitrate Picture Show. Among the films I was lucky to hear about were Midnight (Mitchell Leisen, 1939), The Little Match Girl (Jean Renoir, 1928), When Tomorrow Comes (John M. Stahl, 1939), Why Change Your Wife? (Cecil B. DeMille, 1920), This Happy Breed (David Lean, 1944), Bellissima (Visconti, 1951), Unter den Brücken... (Helmut Käutner, 1945), Camille (George Cukor, 1936), and Orpheus (Jean Cocteau, 1950).

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Ep. 409: Chris LeMaire on Bleak Week + John Wilson on Beak Week 2026

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2026 edition of Bleak Week marks the fifth year of the acclaimed series at the American Cinematheque, which now also takes place in other theaters across the nation and the globe. Happily I was able to talk to Chris Lemaire, director of programming at the American Cinematheque in Los Angeles and co-founder of Bleak Week, about a few fantastic selections in the ongoing series, including tribute programs for guests Isabelle Huppert and Warwick Thornton, rarities like Letters from a Dead Man and Eureka, and restorations such as Buster and Billie.

On the second half of the episode, I was lucky to catch filmmaker John Wilson, co-founder of the Low Cinema in Ridgewood, in the midst of the theater’s delightful Beak Week program. Wilson talks about a personal favorite from the bird-centric lineup, a special recent surprise guest, a program of pigeon shorts, and some infrequently screened titles in the lineup.

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Ep. 408: Tubi programmer Ryan Lavallette on The In-Laws, Magic, 20 Questions, Arlington Road, Scorpio, Captain Ron, Report to the Commissioner, Skinamarink

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Tubi holds a special place among streamers for its free, wildly eclectic selection, and I’m not the only one who goes trawling through its selections to find something different to watch. And so for the latest episode, I had a blast talking with a member of the Tubi programming team, Ryan Lavalette, senior manager of content programming at the streamer. I picked his brain a little about how the Tubi mix is created, and then we chatted about a few movies currently on Tubi that had caught our eye for various reasons: The In-Laws (1979, with Peter Falk and Alan Arkin), Magic (1978, with Anthony Hopkins), 20 Questions (1987), Arlington Road (1999), Scorpio (1973), Captain Ron (1992), Report to the Commissioner (1975), and Skinamarink (2022).

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Ep. 407: K.J. Relth-Miller on Cannes Classics 2026: La Dérive, The Devils, Report to Mother, Moonlighting, Tilai, The Pelechian Project

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Every year at the Cannes Film Festival I always make sure to scrutinize the Cannes Classics line-up of restorations, and for the 2026 edition, I was happy once again to catch up with K.J. Relth-Miller of the Academy Museum in Los Angeles and chat about a few titles. Among the films discussed were an absolute discovery, La Dérive (1964, directed by Paula Delsol), Ken Russell’s one and only The Devils (1971), another discovery Report to Mother (1986, John Abraham), Moonlighting (1982, Jerzy Skolimowski), and Tilai (1990, Idrissa Ouédraogo), with shout-outs to The Pelechian Project (1966-1975, a collection of shorts by Armenia’s Artavazd Peleshian) and Taiwanese classic The Dull Ice Flower (1989, Li Kao Yang).

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Photo by Steve Snodgrass