Film Colossus

I fear people will watch The End of Oak Street and come away thinking it's just a fun, Amblin-like Dino-horror film with a family element. But David Robert Mitchell isn't that kind of filmmaker. Of course, there's a thematic concept underneath all the Dino-horror and Amblin nostalgia.
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This week, we walk through the beautiful, yet somehow grotesque world of: Barry Lyndon. This slow, meandering film offers quite a challenge for Chris and Travis—two diehard Stanley Kubrick fans—as they navigate through the movie’s commentary on ambition, as they trek the gorgeous landscapes that surround Barry’s sill existence, as they wonder if Kubrick truly did enough to bring his existential reflections to life.
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Music by Ross Bugden.
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This week, we traverse the psychological labyrinth known as: The Silence of the Lambs. We revisit this classic thriller and discuss its contents, finding a narrative in Clarice’s struggle to move on, to form an identity outside her trauma, to endure the psychiatric exercises of the one and only Hannibal Lecter.
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Music by Ross Bugden.
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This week, we delve into one of the most confounding movies ever: Synecdoche, New York. And we’re here to say the movie, while surreal and outlandish and subversive, is actually much simpler than it seems. We go down a strange path trying to put Charlie Kaufman’s bizarre movie into words—join us.
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Music by Ross Bugden.
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This week, we share a winding, whirling discussion about the 1955 classic: Rebel Without a Cause. What follows isn’t just a thematic breakdown of the movie’s commentary on post-war generational tensions, but a macro discussion about the state of modern movies and how far we’ve come from the simple-yet-impactful cinematic eye of directors like Nicholas Ray.
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Music by Ross Bugden.
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