The Treatment

Actor Edward Norton has been a favorite guest on The Treatment since his breakout performance in the 1996 thriller 'Primal Fear.' Since then he has steadily surprised audiences in films including 'American History X,' 'The Incredible Hulk,' and 'Fight Club.' He has four Oscar nominations, a Golden Globe win for 'Primal Fear,' and has also directed the films 'Keeping the Faith' and 'Motherless Brooklyn.'



His latest role is in the Olivia Wilde directed comedy 'The Invite,' which co-stars Wilde, Penelope Cruz, and Seth Rogen. Norton talks about why his characters often have a secret, how Wilde set herself apart as a director, and why 'The Invite' is the best double date film of the summer.

Writer-director David Siegel has collaborated on films with Scott McGehee for more than three decades. Their most recent feature is 2025’s 'The Friend,' starring Naomi Watts with a very large and well behaved co-star. But for The Treat, Siegel goes solo. He celebrates a polarizing style of architecture recently featured in an epic film directed by a friend.

Emmy-winning writer and actor Richard Gadd knows he puts his characters under great tension in his work. Gadd wrote and starred in the 2024 Netflix series 'Baby Reindeer,' which was inspired by experiences Gadd had as a stand up comic dealing with a stalker. That series garnered six Emmys, including for Gadd’s performance, and for Outstanding Limited Series. Gadd has followed up Reindeer with the HBO series 'Half Man,' which stars Gadd and Jamie Bell as “brothers” whose shared history spirals them into explosive consequences. Gadd tells The Treatment why he creates characters who are larger than life, how those characters have resonated with people, and why he often sets his series in a metaphorical “oven.”

Actor Simon Helberg is likely best known for his 12 seasons as the brilliant but awkward engineer on the CBS sitcom 'The Big Bang Theory.' But he’s made quite the impression with his newest role as a tech genius who can’t connect with his family on the AMC dramedy 'The Audacity.' For Helberg’s treat, he cites a deceptively simple 1938 Pulitzer prize winning play whose ending is on his mind pretty much every day.

You may know journalist Geoff Bennett as co-anchor of the 'PBS Newshour,' or as a contributor to NPR and NBC. He is also the author of the new book 'Black Out Loud: The Revolutionary History of Black Comedy from Vaudeville to ‘90s Sitcoms.' Bennett tells The Treatment why the '90s was a ‘golden age’ for Black TV, how the 'Cosby Show' spinoff 'A Different World' evolved, and why many people got Steve Urkel wrong.