The God Learners

For this new Glorantha Initiation interview, we have two guests, which explains the unusual length of this episode… we welcome Antoni and Konrad!

Konrad studies Bronze Age history, does LARPs, and runs games for teens and children. He has been running RPGs for about 11 years, and RQG for 4 years. You can catch him on Discord as @SpellcastingKisiel

Antoni studies geography. You can find him on Facebook as Antek Bartoszko.

Konrad and Antoni also give a shout-out to the Polish world-building community Krytyka Światotwórcza.

Show Notes

Antoni introduces himself:

Started RPGs with D&D 3e in high school. Then Warhammer 2e, which is “the most patriotic Polish RPG”. Gothic is the most patriotic Polish computer game.

Antoni has opinions about the “drama kids” school of RPG and modern games.

He’s a novice GM, and has more fun as a player.

Recent games Antoni likes are Fabula Ultima (a TTRPG inspired by JRPG video games) and Vaesen (a Scandinavian 19th-century folk-horror TTRPG).

Apparently Antoni broke Vaesen with min-maxing!

Konrad introduces himself:

He discovered RPGs in a summer camp, watching kids playing Warhammer 2e… but they never let him play! Booo!

The following year he started playing and GMing, notably a post-apocalyptic Polish game called “Afterbomb Madness”.

Konrad feels more comfortable as a GM, and likes faction play.

Warhammer is very very popular in Poland!

Poland didn’t have any particular printing of any RPG at first, so people smuggled hastily translated rulebooks. Warhammer was a good fit. It was one of the very first officially released RPGs in Poland.

Then, the only Polish RPG magazine at the time broke everyone’s mind about Warhammer because everyone was pretty much taking Warhammer at face value, instead of the comedic game it’s supposed to be. The pun names weren’t translated!

Antoni got Konrad into Glorantha.

He discovered Glorantha with King of Dragon Pass through a video game streamer playing it.

He loved the cultures and vibrant world.

He later discovered that there was an RPG, but was turned off by the “realistic combat” that RuneQuest boasted about having.

After playing Six Ages, Antoni started ranting to Konrad about Glorantha.

We talk a bit about heroquesting as Antoni misunderstands a question about HeroQuest/QuestWorlds as an alternative system with no “realistic combat” in it. Since these books weren’t really available in Poland, it wasn’t on his radar.

Konrad realized that he tried playing Six Ages, as he was interested in bronze age gaming, but didn’t get very far. So when Antoni mentioned Glorantha, he was vaguely familiar with it. He had heard about RuneQuest as a “classic RPG”.

Konrad started researching the setting and realized he loves it.

Glorantha has “hard worldbuilding”.

Konrad likes granular mechanics, so RuneQuest’s system looked good. He also appreciates that he can make his own subsystems easily.

Konrad still hopes to run a “proper long campaign” soon.

Glorantha is “doing good work” about representing the clan, tribal, city state, and god king mindset that might look alien to a modern reader. It’s not a “historic documentary” game, but it’s a “good approximation”.

Glorantha might help later understanding real history.

Konrad specializes in Levantine late bronze age (15th to 12th century BCE). He’s also interested in European bronze age. He studies social dynamics, people living outside of temple/city-state systems, etc.

Joerg on the other hand started looking into European bronze age first, and didn’t look into the fertile crescent until later.

Ludo got into Glorantha first, and then looked into Earth history later.

Konrad loved the lore and the societies that “feel alive”. There’s a lot to play with when you’re a GM who loves faction play. He notes how Jonstown is described in the Starter Set, and how it contains multiple groups with multiple motivations and agendas, interwoven with their religious beliefs.

In RuneQuest, even the monsters are people.

Ludo talks about subsystems for political negotiations, as his players are trying to take over the Alone Confederation.

Konrad likes the RQG sorcery rules!

Joerg says sorcery is like shamanism: you need to min-max a lot to be useful.

Konrad doesn’t seem very interested in shamanism, whereas Ludo thinks it’s one of the unique interesting features of the game.

“There are now 7 RuneQuest players in Poland!”

Konrad tries to run RuneQuest at every convention in Poland, and in the summer-camps he’s working at… basically trying to kick-start a Polish fandom for RuneQuest.

The reception of RQG in Polish conventions seems pretty good. Most players are new to RuneQuest as far as Konrad can tell.

Chaosium fans in Poland know and play Call of Cthulhu, which Antoni suspect is the biggest TTRPG in the country right now. Or at least one of the “Holy Trio” (CoC, WFRP, D&D 5e)

When Ludo asks if Pendragon is known in Poland, Antoni explodes with laughter. He can’t believe anybody would play this game.

There is a Polish edition of Pendragon, which Konrad claims is better-looking than the English one. So Polish people know about the game, and the Polish editor released the translation almost at the same time as the original version.

Ludo says that Pendragon is probably not played that much in the grand scheme of things, and probably not in the “top 20 games”, but Joerg ask the rhetorical question of what “top 20” means anyway? (I probably meant “top 20” in terms of number of players)

Antoni says that, just like Mage: The Ascension, Pendragon, to him, is more meant to be read than to be played. Ludo mentions he played Mage in his youth, having been a big World of Darkness fan back then.

Ludo’s first couple TTRPG purchases were Cyberpunk 2020 and Vampire: The Masquerade, which Konrad says are “very Polish tastes”.

Ludo asks Antoni what he doesn’t like about Glorantha. Antoni talks about the various “phases” he had with Glorantha.

He mentions the “Dukaj-Stafford” effect (from Jacek Dukaj and Greg Stafford… Dukaj is a Polish science-fiction and fantasy writer). This is when a settings is so good that it makes you give up trying to expand it, because you can’t make anything half as good.

Antoni’s “second phase” was discovering the Mongoose RuneQuest books, and the cool aspects of gaming in other places and times in Glorantha.

Antoni’s Glorantha will definitely vary, and he wants to give a shout-out to Nick Brooke for enabling that. Antoni’s Dara Happans are cool and awesome, and he has hot takes about them.

Antoni talks about the different scopes and takes on Glorantha between the editions, or between the TTRPGs and the video games.

Konrad agrees, especially since he discovered Glorantha with Six Ages, so “his boys” are the Solar people.

Konrad appreciates “well written barbarian cultures” in Glorantha, but he is more interested in the various types of Solar cultures, or about Orlanthi people in Peloria (“solarized Sartarites!”)

Konrad has strong opinions about Elmal vs Yelmalio! He doesn’t buy the “wide scale replacement” of one cult by the other, and gives his reasons for it.

Antoni doesn’t really like some of the Gloranthan authors’ approach of pretending that they are “translating” some “actual” Gloranthan texts, instead of just writing a game book.

Ludo talks about HeroQuest/QuestWorlds as the thing Antoni and Konrad may look into as they mentioned having trouble doing “bigger things” in RuneQuest.

Konrad mentions his “biggest issue” with RuneQuest: how the game and the world are presented. Gloranthan and RuneQuest are “absurdly hard to get into”.

The best way to get into this game is “finding a GM”. Konrad says that getting into it by yourself is much harder.

Konrad mentions the video games (King of Dragon Pass, Six Ages, RuneQuest Warlords ) as good first steps but admits they are niche games and not for everyone. He’s looking forward to the first official Gloranthan novel (A Pyre for Gods and Heroes).

We play the game of “what gets released next year?” Joerg is rather optimistic about it. Ludo is pessimistic… and probably right, since this interview was recorded 6 months ago and nothing Joerg has mentioned seems to be happening soon.

Antoni mentions that Konrad often compared Glorantha to the Elder Scrolls video game series… and so he argues Gloranthan needs a Skyrim-like game. No biggie.

Ludo mentions The One Ring TTRPG (second edition), trying to make a point about games introducing deep lore to players, and once again the guests immediately laugh. Konrad and Antoni apparently have both very strong, and very opposed, opinions about it.

Antoni doesn’t like TOR 2e because of its default place and time.

But he likes the progression from easy to hard between The Hobbit, The Lord of the Rings, and the Silmarillion.

“With Glorantha, you start with the Silmarillion”.

Konrad agrees about that, and mentions how even the RuneQuest Starter Set floods the reader with too much information. How much information is needed to start? Probably a lot less than what the Starter Set gives.

Konrad thinks the Starter Set has a good setting and adventures, but not a good presentation of the setting.

Antoni gives praise to the fan community, especially the Glorantha groups on Facebook. He also praises the “Prince of Sartar” webcomic as an entry point into the setting.

Antoni ask why there’s not Malkioni-Solar syncretism, when there is Malkioni-Orlanthi syncretism that exists?

Joerg explains it with the timelines of when Greg Stafford and Jamie Revell were working on this or that across Glorantha.

Jamie’s books are available on the Jonstown Compendium. But these books offer an old vision of Malkioni society that isn’t “canon” anymore, for whatever that’s worth.

Antoni asks if the Moon Rune existed before the Red Moon appeared?

Joerg says the Moon Rune isn’t needed for being a mystic or achieving some kind of transcendence.

Joerg also argues the Moon Rune always existed. Ludo has a different take, about the Moon Rune having mostly disappeared at the Dawn, and the Seven Mothers having brought it back.

Antoni asks why the Lunars didn’t share the fate of the God Learners.

Konrad has many conspiracy theories. For instance: Orlanth can’t read. Also: Nysalor is basically the ChatGPT of Glorantha. You have to listen but his arguments are pretty sound. Joerg even adds another layer…

Going back to Malkioni-Solar syncretism, Ludo and Joerg add more ideas.

Antoni asks what’s the deal with reincarnation?

Ludo had totally missed that there was reincarnation in Glorantha in the first place… we argue a bit about it, and what that means for talking to ancestors.

Then we argue some more about interpreting some of the writings, until we end up on the Ty Kora Tek cult write-up, which Ludo says is bullshit, agreeing with Antoni.

Antoni’s favourite conspiracy theory is about the role of Brithos in the rebirth of the world in Time.

Joerg says “Brithos might have been the backup”. And it makes Zzabur a bit more right.

We start gushing about Zzabur and entertaining he is.

Konrad hopes to be able to publish some RuneQuest books in the next couple years.

We finish with a round of quick-fire questions! Including Konrad’s surprising take on Newtlings!

Credits

The intro music is “Dancing Tiger” by Damscray. The outro music is “Islam Dream” by Serge Quadrado. Other audio is from the FreeSound library.

Our Guests

For this episode we welcome Malin and CJ, which Ludo met in person at ChaosiumCon UK 2025.

The book we’re talking about is “Life and Traditions under the Sun Dome”

Ludo also took so long to edit this episode that Malin and CJ’s next books are already out: “Three Doors to Your Heart” and “Uleria Loves You”

Malin is on Bluesky and has a Patreon

CJ is also on Bluesky

Show Notes

Things we discussed in this episode:

Malin and CJ published a book about Life and Traditions of the Sun Dome because they’ve been playing there for a while.

Malin got into Glorantha via CJ, and became fascinated by stuff in Cults of Terror.

CJ got into Glorantha via some people talking about RuneQuest and its cultures, religions, weird spells, and “walking tapirs”.

After playing in Pavis and the Big Rubble, CJ bought RQ3 and some RQ2.

The Dragon Pass board game

Playing near Sun County in HeroQuest, with the Cradle scenario.

CJ bought the RQ3 Sun County book, reading it directly in the post office.

It was hard to get a group going.

The “Life and Traditions” book is a “more detailed” Sun County, compatible with previous official material (Sun County) and JC material (Black Spear, Sandheart).

Many people have written stuff in that area, it’s important to honour that.

Back in the day, it felt like Sun County was more “bronze age” and exotic than Sartar, which felt more “celtic” and common.

Research for the book included a lot of Bronze Age history.

Big spears, shield walls, and hoplites!

Back in the day, there wasn’t much material on Sartar. A lot of books were out of print, and in piracy was the only way to access them.

Very trusting people who mail their copy of Griffin Mountain to strangers to read and send back!

Sun County was a “standalone” book and setting, easier to grasp than other places in Glorantha.

To secular Sweden, religious fanaticism is exotic!

The reason for the “Life and Traditions” book is that many players have questions… sometimes weird questions…

Malin wanted to emulate the “Daily Life in <place>” children books about ancient Egypt or Greece: what is it to live in these places and times? Also, a desire to answer questions to the players who didn’t know Glorantha.

Malin loves making house rules and handouts!

A character wants to get married? Write a handout about property rights! “It escalates so fast!”

Between different regions of Genertela there are different rules and cultures. Sun County should feel different from Sartar.

“RuneQuest is a game for over-thinkers”

CJ is a sociologist, so how does the class system work!?

“Life and Traditions” has a bibliography! It’s serious work!

It’s a xenophobic and misogynistic place but they have nice beaches.

CJ looks at other countries with the same problems for reference, in addition to historical Bronze Age and Iron Age, and previous Gloranthan material.

People are still people, and it’s interesting to see how people would react and behave in a place like Sun County.

How to use this book? As an academic description of Sun County, or as a collection of articles to be skimmed and picked from as needed?

“It should be read but not memorized”.

“It’s a confidence builder”.

Instead of adding more history and names and places, the book tries to just add more context to one already established place.

Joerg likes the tables to “look around the house”.

Ludo likes the random event table.

Players can read the book, there is not much “secret information”.

The bad stuff in Sun County: patriarchy, xenophobia, etc. How is that fun to play? Depends on the group… it can be treated as background vibe, or as the main theme.

The book also shows how to play other types of characters.

CJ tried to lean into the set parameters of the place, as established by prior material: Yelmalio is patriarchal, Ernalda is made into a subservient wife, and Zola Fel provides a good part of the fertility magic that Ernalda usually provides elsewhere, etc.

Still had to “address the elephant in the room and make everyone feel welcome at the table”.

CJ and Malin had several women characters in their campaign. What does that mean for them? How do they live in this society?

CJ makes the good point that it’s like playing Call of Cthulhu in the default era of the 1920s, which is a “horribly racist” time in America.

“The gamemaster has to address this with the group”, deciding how much to lean into it or address it.

Ludo mentions Harlem Unbound as an example of leaning into the racism of the 1920s for Call of Cthulhu.

Cool stuff in Sun County: as a foreigner, you interact with a very weird and insular society!

An excuse for sending your PCs to Sun County is that the River of Cradles is strategically important!

Do your players enjoy being “administratively frustrated”?

The absurdity of Glorantha.

The cool thing about Yelmalio is that he is NOT cool!

“He’s a poser guy wearing shitloads of bling for compensating about all the things he cannot do!”

Orlanthi cultists are like Tom Cruise. Yelmalions are played by William H. Macey.

Another cool thing is that Sun County is very, very ancient. There are many very old archives and items to be found here.

Ludo talks about how he would send his players there.

CJ says it’s a good entry point into a new campaign: the place is semi-isolated, with a limited number of cults to choose from, etc. Great for newcomers.

“If you want to play a trickster in Sun County, go ahead and try!”

No need to go into complex clan/tribe relations here.

You can play it like Star Wars/Andor, living in some oppressive society, or like NYPD Blues with Sandheart, or as some Iliad thing with lone people defending their outpost against the nomads.

You don’t need to lean into “colonizers vs natives”.

Custom rules for faction play: “It’s easier to reward your players when you have numbers on a paper”.

Build a shrine to your god so you don’t have to commute!

Characters built for intrigue and politics should have as much fun and input into the game as those built for combat.

It’s still useful and interesting to track favours and standings even for non-political characters.

Tracking even small-scale relationships in some situations like long-term travelling.

Switching from RuneQuest to QuestWorlds.

RQG starts breaking down the more you play, especially the experience system, which slows down to a crawl.

Malin says QuestWorlds is better than HeroQuest. CJ says it used to break down with the bidding system.

Malin gives advice for how to convert RQG characters to QW.

QW is easier to make little subsystems for since it’s a lot less crunchy.

Players had trouble phrasing their keywords, and coming up with flaws.

RQG helped establish the “reality” of the fictional world before moving on to QW, which is very valuable.

Nick Brooke’s “song book” for conventions and the “HeroWars Gaga” song.

Gloranthan cookbooks!

Do players behave differently when you change the system?

Malin says she had to change her GMing style a lot.

QW requires more narrative responsibility from the players, which can overwhelm some of them.

Joerg mentions the Swedish RuneQuest Talastar project.

Dragonbane mention!

Joerg asks about the Teshnans… Malin has plans!

Ludo took so long to edit this episode that the Ulerian books that CJ and Malin announce here are already out!

Credits

The intro music is “The Warbird” by Try-Tachion. Other music includes “Cinder and Smoke” and “Skyspeak“, along with audio from the FreeSound library.

Our Guest

We welcome once again Austin Conrad to the show!

His website is Akhelas

Get Treasures of Glorantha: Volume 2, one of the finest books on the Jonstown Compendium! (which we talked about in episode 31)

Austin hopes to be “done soon” with his upcoming “Wolves of the Wild Hunt” book… that was a couple months ago and it’s not done yet The book will include slightly remastered previous materials such as The Quacken, and The Queen’s Star, plus new stuff about Gagarthi monsters!

Show Notes

Things that happened in this episode:

Joerg reminds us what the Reminiscences of Paulis Longvale are… Listen to episode 34 if you haven’t already!

Cults of Terror is “the gamemaster’s best friend”

Also listen to episode 35 with Simon Phipp, specialist of Dorastor!

Yes, YOU too can play a Thanatar cultist!

Ludo summarizes the previous episode’s story

Austin mentions the old Dorastor book, plus gives another shout out to Simon Phipp’s books

Ludo goes on a short tangent about the name “Bilini”

Austin lays down another argument about the Orlanthi really being Vikings

We discuss the various motivations of the characters regarding Chaos, Dorastor, and the Lunar Empire

Ludo has made a spreadsheet! He tries to figure out what are the chances of the Bilini king’s army against Razalkark’s army

How cute are baby broos? Or baby Scorpion Men? Apparently Diana Probst has one of those in Stone and Bone, go check it out!

We talk about battle tactics and “broo walls”

How the hell do you recreate this story using RQ rules? Should we play using HeroQuest/QuestWorlds? (again)

The phalanx rules suck?

Is dual wielding better than using a shield? (We fumble around the convoluted RQG dual wielding rules)

Rules terms inside the narrative text… what to make of it?

Would you abstract the things we see in this story to “just a few rolls” in RuneQuest?

Austin is being an asshole (his words! not mine!)

How much plunder do you get from Chaos creatures?

Giving a “personal touch” to plunder and gifts… or just add some jewels!

Reselling gifts to buy actually useful stuff, like skills and spells!

“WHERE IS MY MONEY?” and other things players say

Ancient cultures versus transactional cultures

Ea-Nasir name drop!

Storm Bull cultists as a biker gang

Austin mentions “A Short Detour” and the way we tried writing Chaos cultists as nuanced people

Are Illuminates crazy assholes? Or are they people with feelings?

Uleria is more powerful and bad-ass than we give her credit for

Body horror with Uleria! Play Limbo!

Austin has more conspiracy theories about the Celestial Court on his website!

Vampires in Dorastor… do they have enough to eat?

World of Darkness vampires vs Dresden Files vampires (also, Ludo mixes up Dresden Files and Laundry Files)

Austin’s Harrek campaign, and the shenanigans the PCs are up to

Give player characters cool or embarrassing epithets!

The interesting framing of a Chaos-based narrative with a Lunar perspective

Telmori vampires! Or vampires feeding on Telmori! Maybe both!

The lost power of RQ2 vampires that can steal Rune magic when feeding off someone

Rituals to get your magic items to trust you

Fear mechanics in RuneQuest?

There’s a difference between improvising and off-the-rails-improvising!

RQ2 silver magic collars… they’re in every RQ2 story

How do you keep prisoners?

Suspicious tricksters! (aren’t they always?)

Joerg tells us about Jojo The Bobo. Also, Bugs Bunny and the Puppeteer Troupe

“We’re in Dorastor, but we’re getting…. human drama???!”

Credits

The intro music is “The Warbird” by Try-Tachion. Other music includes “Cinder and Smoke” and “Skyspeak“, along with audio from the FreeSound library.

We are back with a long overdue Glorantha Initiation interview featuring twice the amount of French accents! We talked to Benjamin, aka Dasfynx, who is the webmaster of the (French) RuneQuest Wiki, and co-hosts the (also French) “Runecast” podcast with Gianni Vacca.

Le Wiki du JDR RuneQuest

Le Runecast (you can of course find it on Apple Podcasts, Spotify, or on whatever app you use to listen to podcasts!)

Show Notes

Here are the things we talk about in this episode!

Ben’s podcast “Runecast”

This is one of the three known “talk show” podcasts about Glorantha right now, the other one being the Finnish Dayzatarin tähtien alla (“Under the stars of Dayzatar”)

Ben also runs the French RQWiki which started as a translation of Chaosium’s wiki.

It started as just figuring out what tech was powering Chaosium’s website

Then it was a small translation for Ben’s players

And then other fans joined the effort… there are now extra things compared to the Chaosium version

Any extra material on the wiki that is from the published material is reproduced with the approval of Studio Deadcrows, the French publisher for RQG

Watching old adventure/sci-fi movies on VHS, and being pitched the Warhammer Fantasy RPG (WFRP) as similar to those movies

Ben’s first purchased RPG books were from the Call of Cthulhu and World of Darkness lines, but we was busy playing sports and listening to rap, so he read the books but didn’t play them!

This may be called “lonely fun”

Only years after that one WFRP game did Ben finally find another gaming group playing the WEG Star Wars RPG

Ben offered to GM Call of Cthulhu after that, which lasted for a handful of years, going through the Spawn of Azathoth campaign

You too can learn geography and history by GMing Call of Cthulhu!

It’s hard to find English or French RPG books while living in China, so Ben loaded up on many books whenever he would come home

As a Roliste TV watcher (YouTube channel here), Ben learned that one host (Mathieu) is a big fan of RuneQuest, so Ben bought the latest edition… and didn’t like it!

This is because the world wasn’t described enough for Ben to picture, so he bought the Glorantha Sourcebook… and didn’t like it either! Too many names and lists of things!

It was the Bestiary that made Ben “get it”: each “monster” is actually coming from somewhere and have their place

After that, Ben was deep into Glorantha and started reading more and more books about it

Glorantha: a steep curve followed by a rabbit hole!

Books are expensive so Ben got Gianni Vacca to explain things to him for free!

Gianni is Ben’s co-host on the Runecast podcast

Gianni is Ben’s Joerg, an old hands of Glorantha… actually even older than Joerg, since Gianni started with RQ2!

Ben’s wiki and podcast are geared towards beginners

Favourite thing about Glorantha:

Dorastor, to make players suffer!

See Simon Phipp’s “Secrets of Dorastor” (and other related books), and his interview episode on the show

Sartar, because it’s an interesting place

Next on Ben’s reading list are the Red Cow campaign books (book 1 and book 2)

See also Ian Cooper’s Questworlds interview on the show

Things Ben doesn’t like: the gray areas, because he likes to feel like he understands everything

Ben asks Joerg what is the nature of the great compromise?

Joerg explains how gods can break the compromise and act in Time

We talk about avatars of gods also manifesting gods enough to endanger the Compromise, and how Chaos allows gods to get involved in Time

Greg’s narrative framework of writing “in world” texts that give contradictory views and accounts

The annoyance of “no answers” vs “multiple answers”

King of Sartar is… a dense and complicated book

GMing the French campaign “Children of the Flame” (Gianni is an author on it)

This campaign helped show Ben what is possible in Glorantha

It’s about the Dundealos tribe, near Swenville, after they have been replaced by the Lunar Entalos tribe… until the Dragonrise gives an opportunity to retake their lands

Faction play, with various tribes, the Lunars, etc.

There’s a map of Swenville!

A good way to start in Glorantha is a good example: a scenario, a campaign, etc.

The Sourcebook isn’t a good idea for beginners

The GM pack or a campaign are better! (classic RQ2 campaigns, or newer ones from the Jonstown Compendium)

Basically, start small!

The French edition of RQG has one scenario in the rulebook, and one in the bestiary… something the English edition is lacking!

Ludo briefly talks about his similarly failed encounters with Glorantha

Ben reiterates how Glorantha is consistently deep and how he loves that about it

Ben started just with the books for a while, but later discovered there are so many things about Glorantha on the internet!

Shout-out to 7Tigers, who translates all the news and Well of Daliath content to French

Also shout-out to Olivier from “Les Fils du Chaos” for helping correct the French RQWiki

And shout-out to everybody else helping in their own way

Ben asks Joerg about the Sky World and Joerg obliges!

Ludo adds his take about the multi-shaped Sky World

Ben still wants one final answer on everything!

Joerg mentions the “blind men touching the elephant” tale, and Ben wants to see the elephant, not be one of the blend men

We devolve into Jungian archetypes, and other tangents…

We end with some quick-fire questions… Ben loves ducks!

Credits

The intro music is “Dancing Tiger” by Damscray. The outro music is “Islam Dream” by Serge Quadrado. Other audio is from the FreeSound library.

Our Guest

Our guest this episode is Simon Phipp, author of Secrets of Dorastor, Secrets of Heroquesting, and author or contributor on many, many other books.

Joerg sadly isn’t present this time: he was stuck on a highway somewhere in Germany waiting for auto-assistance.

Show Notes

Here are some various things we talk about in this episode:

Getting started playing in Glorantha in 1982… which sounds like 15 years ago but apparently is a lot longer ago

RuneQuest 2 (with Cults of Prax) was Simon’s first game

Bud (from Bud’s RPG Review) recently said that it’s like being born with a silver spoon in your mouth

Watching “World of Sports” and reading “The Iliad” as a kid… as one does

Simon loves RQ2 for its scale and the visceral feeling you get from playing it

Playing in Dorastor because it was nasty and unmapped in the early 80s

The only source was the Paulis Longvale narrative from Cults of Terror

Other GMs in Simon’s gaming circles were already playing in the “usual places” (Sartar, Prax, Pavis & The Big Rubble)

We started our series on Paulis Longvale last episode!

Running a Star Trek-like episodic campaign in and out of Dorastor, starting around 1985

Later, during the RuneQuest 3 era, Dorastor: Land of Doom was released

Simon’s players accused him of knowing about the upcoming book’s contents!

The pros & cons of playing in the vaguely defined Glorantha of the 80s vs the encyclopedic Glorantha of the 2010s

The Dorastor: Land of Doom’s warning on the back cover is factually accurate… if you consider Simon, as a GM, as a big and ugly thing!

Come to the Risklands! It’s great!

The Chaos Nests of Genertela. They’re great too!

Simon’s Dorastor has multiple Chaos Nests

In his campaign, Simon’s players killed Razalkark, the king of the Broos, and occupied his fort… and then things got worse

Chaotic True Dragons are apparently a bad thing?

Simon tells us the story of Dorastor, including his own interpretation of the whole Nysalor/Gbaji/Arkat thing

You may remember we discussed some of this with Bud in a previous episode

Dorastor is filled with lots and lots of bad monsters! How do you get your players to go there?

Simon’s Dorastor is a bit more nuanced than just “a place to kill monsters”: you can create alliances, do trade, and so on

Simon gets bored to tears watching the Gloranthan metaplot unfold, with NPCs doing all the cool things

HeroWars was very guilty of this

Dorastor is so far away from Dragon Pass that we don’t care what Argrath is doing!

Simon’s books contain many, many scenarios for Dorastor, plus many adventure seeds

There are several layers to Dorastor:

Go in, fight Chaos, come out (if you succeed enough times, become a Dorastor guide!)

Interact with the big personalities of Dorastor (meet the Spider Queen, she’s great!)

Storm Bull initiates must learn to prioritize

Humakti broos! Dorastor ducks! Giant vampires!

Relationship with the neighbours

Don’t forget not all cults hate Chaos

Simon likes messing with his players’ heads

Chaotic people: they’re not as bad as you think?

But watch out, you might quickly end up worshipping Thanatar if you don’t pay attention to Simon’s evil schemes

Finding lost or secret things in Dorastor

What makes heroes?

Super-RuneQuest! and other high-level character stats…

The most useless magic item ever… until it breaks your scenario!

The problem of long running campaigns

Acid! Poison! Ash elementals!

Bathing in gorps!

Ludo discovers that Cacodemon got Vomit Acid in RuneQuest 3

Fun with Chaos Features!

Simon’s best anecdote: basilisks and mirrors!

Designing encounter locations

It’s not the GM’s job to know the solutions, it’s their job to setup problems

Hair and fingernail elementals!

Illumination in Dorastor: break the rules, become good, become evil?

Come to Dorastor, it’s lovely, and you can become heroes!

Credits

The intro music is “The Warbird” by Try-Tachion. Other music includes “Cinder and Smoke” and “Skyspeak“, along with audio from the FreeSound library.