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Switched On Pop

Switched On Pop

Podcast Switched On Pop
Podcast Switched On Pop

Switched On Pop

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  • The Art of Flow
    In hip-hop, what draws us to an artist is not just the content of their lyrics but how they deliver them. Along with tapping your foot to the rhythm, understanding something called “flow” is essential to understanding hip-hop as a whole. In this episode of Switched On Pop, we interview genre icon DJ Jazzy Jeff on the concept of flow: what it is, how it applies to all music – not just hip-hop – and how any rapper’s flow can be analyzed under his guidelines. Taking his word for it, we put our magnifying glasses on to look at the bars of our favorite rappers, from Megan thee Stallion to Babytron. Songs Discussed: The Notorious B.I.G. - Big Poppa Mary J. Blige - Family Affair A Tribe Called Quest - The Hop Danger Mouse, Black Thought - Aquamarine BabyTron - Crocs & Wock’  RXKNephew - Take Three JID - Better Days (feat. Johnta Austin) Megan Thee Stallion - Not Nice Megan Thee Stallion - Cocky Af Learn more about your ad choices. Visit podcastchoices.com/adchoices
    11/22/2022
    36:43
  • Willow Smith rocks harder
    Coping Mechanism, Willow's new album, is her heaviest music yet. Charlie and Willow chat about the making of the new record and the many multitudes of rock music. Music Discussed The Anxiety - Meet Me At Our Spot Willow - Maybe It's My Fault, UR Town, Human Leach, PrettyGirlz, Lipstick, Why, Breakout, Hover Like a Goddess, Curious/Furious, Ur A Stranger Yungblood - Memories (with Willow) Deftones - Sextape Radiohead - I Will Straight Line Stitch - What You Do To Me Killswitch Engage - My Curse Lamb of God - Redneck Primus - Lacquer Head Learn more about your ad choices. Visit podcastchoices.com/adchoices
    11/15/2022
    26:01
  • The Sound of Sapphism
    Tegan & Sara and King Princess have found themselves placed under the banner, "sapphic pop," a term recently coined referring to music by and/or for sapphics (a.k.a. women or femme folks attracted to other femme folks). Journalist Emma Madden defines the folk-inspired sound as having a “soft tactile approach” that’s “more sensual than it is sexual.” This umbrella folds in everyone from indie pop veterans Tegan & Sara to nonbinary artists like King Princess; even artists like Hozier and Sufjan Stevens are, improbably, considered sapphic pop, with their music having the same sonic qualities of other songs dedicated to feminine yearning. From articles popping up in multiple news outlets to the majority of Taylor Swift’s openers for this upcoming tour (looking at MUNA, girl in red, and Phoebe Bridgers, specifically), the terminology of “sapphic pop” has come to define a scene almost out of nowhere. This week on Switched On Pop, we explore exactly what sapphic pop is, where it came from, and how artists feel about it – even asking Tegan & Sara and King Princess directly. You can listen wherever you get podcasts. Songs discussed Clairo – Sofia King Princess – Talia girl in red – i wanna be your girlfriend Hozier – Cherry Wine (live) Alex G – Sarah The Velvet Underground – I Found A Reason Sufjan Stevens – To Be Alone With You Cris Williamson – Shine On Straight Arrow Jaylib, Madlib, J Dilla – The Red Taylor Swift – betty Brittany Howard – Georgia MUNA, Phoebe Bridgers – Silk Chiffon Tegan & Sara – Call It Off Tegan & Sara – Smoking Weed Alone King Princess – 1950 King Princess – I Hate Myself, I Want To Party King Princess – Pussy is God Kate Bush – Why Should I Love You? Learn more about your ad choices. Visit podcastchoices.com/adchoices
    11/8/2022
    33:45
  • Scary Pockets funkify pop classics (with Lizzy McAlpine)
    Scary Pockets is the musical collective that has been transforming pop classics into funk anthems for over half a decade. Each week they release a new cover on YouTube featuring razor-sharp instrumentalists and a rotating cast of virtuosic lead singers. Amazingly, each of their 200-plus covers is arranged on the fly, in a span of about 90 minutes—capturing the talent and spontaneity of a group of musicians at the top of their game. We here at Switched on Pop were struck by the band's ability to infuse familiar songs with syncopation and backbeat, and rack up millions of views in the process, so we reached out to Scary Pockets's leaders—guitarist Ryan Lerman and keyboardist Jack Conte—to arrange for Nate and Reanna to be flies on the wall during their creative process. After documenting the behind-the-scenes dialogue that led to a slow-burning interpretation of the Bee Gees's 1977 classic "Staying Alive," we called up Ryan, Jack, and the song's lead vocalist, Lizzy McAlpine, to hear their insights on making a song that everyone knows sound fresh and unfamiliar  Songs Discussed Bee Gees - Staying Alive (Scary Pockets Cover) Paul McCartney and Wings - Arrow Through Me (Scary Pockets Cover) Beatles - Maxwell's Silver Hammer Coldplay - Fix You (Scary Pockets Cover) Parcels - Tieduprightnow Bill Withers - Just the Two of Us (Scary Pockets Cover) Justin Bieber - Peaches (Lizzy McAlpine Cover) More on Scary Pockets Watch the video of Scary Pockets and Lizzy McAlpine covering "Staying Alive" See them LIVE with David Ryan Harris & John Scofield, November 16 at Echoplex in Los Angeles! Tickets Subscribe to their YouTube Channel: https://www.youtube.com/scarypockets Merch Store: https://www.scarypocketsfunk.com Patreon: https://www.patreon.com/scarypockets Listen on Spotify: Scary Pockets Instagram: @scarypockets  Musician Credits: Vocals: Lizzy McAlpine BGVs: Sophia James, Arielle Kasnetz Guitar: Ryan Lerman, Will Graefe Wurlitzer & Synth: Jack Conte Bass: Travis Carlton Drums: RJ Kelly Audio: Engineered & mixed by Caleb Parker Learn more about your ad choices. Visit podcastchoices.com/adchoices
    11/1/2022
    33:45
  • Up late with Taylor Swift’s ‘Midnights’
    A Taylor Swift album is just not a collection of new music, it’s an exploration of a theme. For the last eight years, each release has embodied a single idea. Reputation marked a turn to the dark side, Lover a return to the light, and her pair of albums Folklore and Evermore painted acoustic, fictional landscapes. Each album propels fans to find covert lyrical connections to her personal life, and easter eggs to past compositions. Whereas Swift's pop star contemporaries have focused their energies on becoming business moguls, Swift has gone deeper into songwriting and receiving accolades in the process. In September 2022, the Nashville Songwriting Association International awarded Swift the Songwriter of the Decade award. In her acceptance speech she says, “writing songs is my life’s work and my hobby and my never-ending thrill.” Now she continues that thrill collaborating with her frequent producing partner and friend of the show, Jack Antonoff, on Midnights, her 10th studio album (not counting her recent “Taylor’s version” re-recordings of past releases). On Midnights Swift builds a lyrical and sonic world that takes place across “13 sleepless nights.” Nate and Charlie listen closely to hear how she constructs this late night feeling.   More Nate’s article on “Taylor Swift and the Work of Songwriting” for the Contemporary Music Review Journal John Hull's Soundfly course on Advanced Synths and Patch Design for Producers Music Discussed: Taylor Swift - Anti-Hero, Lavender Haze, Maroon, Question, Snow On the Beach, Mastermind, Bejeweled, Vigilante Shit, Labyrinth, Midnight Rain, You’re On Your Own Kid, You Belong With Me, Stay Kevin “Reese” Saunderson - Just Want Another Chance Ray “Renegade” Keith - Terrorist P.A. Mix Burial - Archangel  Learn more about your ad choices. Visit podcastchoices.com/adchoices
    10/24/2022
    38:17

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