Audio data from a single source, detailing a private meeting which occurred at SITE2 on day 1325.MAJOR INSIGHT INTO:schism between ENTITY11 and ENTITY13 regarding safety strategy for the predicted stormENTITY9’s intensifying prophetic certainty, further escalating staff conflictENTITY1’s continued inability to maintain neutrality during mediationearly signs of our catastrophic atmospheric disturbance over SITE2MINOR INSIGHT INTO:interpersonal strain rooted in prior trauma (notably, entity fatality)ENTITY11’s reliance on procedural control and containment strategiesENTITY13’s heightened sensitivity to anomalous environments and relational marginalization persistent absence of administrative leadership from ENTITY3Important notes:I blame AGENT23. I understand the urge to collect observational records, but joyriding the train directly past their front yard was a masterclass in operational brainlessness.Disclaimer: Camp Here & There is intended for audiences aged 16+. The story deals with mature themes and graphic horror which may not be suitable for all audiences. Viewer discretion is advised.Performances by Voicebox Vance, Crystal Lee, JV-Hampton VanSant, and Jalen Askins.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Kyle Gabler and Another You.Featuring "The Weather Channel 2006 Alert Theme."Dialogue editing by Beetlesprite.
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FILE 44. Under a Static Sky
Audio data from various sources, detailing occurrences at SITE2 and SITE11 on day 1325.MAJOR INSIGHT INTO:ENTITY2’s ongoing tension with ENTITY1 regarding disclosure of personal informationANOMALY0’s calculated manipulation through staged “therapeutic” rhetoricbehavioral extremes from ENTITY9... usMINOR INSIGHT INTOearly signs of ENTITY2 experiencing burnout from prolonged interpersonal strainthe campers’ easy absorption of spectacle into daily routine, treating anomaly as entertainment rather than dangerImportant notes:They saw us.Surveillance relies on the assumption of asymmetry.I cannot stress enough the compromise this represents. Our supposed invisibility is perforated. Every glance at the train is a reminder that we were not only perceived but described—recorded.I find myself unsettled.I managed to tap SITE11’s longitudinal frequency transmission. Regarding ANOMALY0, do we believe it is aware of our observation efforts?Well it certainly would be now…… I need another cup of dark matter.-Disclaimer: Camp Here & There is intended for audiences aged 16+. The story deals with mature themes and graphic horror which may not be suitable for all audiences. Viewer discretion is advised.Performances by Blue Wolfe, Voicebox Vance, Corey Wilder, and Dio Garner.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Kyle Gabler and Another You.Dialogue editing by Emily Safko.Featuring Andrey Psyche's "underwater boss level.""Trail Mix" Wikipedia, Wikimedia Foundation, 18 August. 2025 9:24 am, https://en.wikipedia.org/wiki/Trail_mix.
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FILE 43. Insecure Underachievement
Audio data from various sources, detailing various occurrences at SITE2 on day 1324.MAJOR INSIGHT INTOelevated stress in ENTITY5 and the community’s organized interventionemergence of external contact “Seren A. Dippity” and their effect on group dynamicsENTITY2’s emotional vulnerabilityshift in ENTITY9’s observable behavior during high-sedative stateENTITY12's propensity for "alternative" group organization methodologyMINOR INSIGHT INTOinterpersonal bondingENTITY2’s proposed external mediation with ANOMALY0 for relationship counseling with ENTITY1Important notes:ENTITY2’s reluctance to physically “fall” even in a controlled environment underscores ongoing trust-related pathology; however, the eventual completion of the exercise and reliance on ENTITY9 for support indicate selective willingness when emotionally significant peers are involved.Recommend caution in allowing ANOMALY0 any further sanctioned psychological influence over ENTITY2 and ENTITY1. This cannot seriously be considered an ethical allowance.ENTITY5’s stillness during the stargazing sequence is the most extended period of calm yet documented. Though we have long since given up our suspicions beyond ENTITY4... Well, this was moving.I talked to AGENT23 about toning down her purple prose when doing observational description, as it feels disrespectful (albeit accurate). She now continues to hover her finger over my shoulder while saying she is "not" "touching me."-Disclaimer: Camp Here & There is intended for audiences aged 16+. The story deals with mature themes and graphic horror which may not be suitable for all audiences. Viewer discretion is advised.Performances by Blue Wolfe, Voicebox Vance, Tom Laflin, Corey Wilder, and Jess Fisher.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Kyle Gabler and Another You.Dialogue editing by Emily Safko.
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FILE 42. Day of the Insecure
SYDNEY PLUSH: https://www.makeship.com/petitions/sydney-o-sargent-plushieAudio data from various sources, detailing various occurrences at SITE2 and SITE42 on day 1323.MAJOR INSIGHT INTO severe emotional destabilization of ENTITY2 following ENTITY1’s detainmentENTITY1 temporary detainment statusdirect interference, again, from AGENTS15 and 16MINOR INSIGHT INTOknown history between ENTITY2 and AGENTS 15 and 16 (AGENT1, are you listening to me!?)deteriorating trust between ENTITY2 and ENTITY3volatility of ENTITY1 under pressureImportant notes: ENTITY3 has once again severed both outgoing and incoming surveillance lines to her office, rendering live monitoring impossible and phone interception mutually void.ENTITY2 is deteriorating quickly under the weight of withheld information.There was a latent bug in SITE42 I was able to tap into before the signal corrupted. I let the audio speak for itself...Once again. I suggest we fire AGENT15 and AGENT16. I prefer the brimstone at this point.-Disclaimer: Camp Here & There is intended for audiences aged 16+. The story deals with mature themes and graphic horror which may not be suitable for all audiences. Viewer discretion is advised.Performances by Blue Wolfe, Voicebox Vance, Susan Dohan, Emily Safko, Ty Coker, Tom Antonellis, and Heath Martin.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Kyle Gabler and Another You.SFX "Hacked and corrupted transmission" by Kronek9Dialogue and sound editing by Emily Safko.
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FILE 41. A Sad Mandatory Appreciation Day
Audio data from various sources, detailing a full-day audit conducted at SITE2 on day 1322.MAJOR INSIGHT INTO:deployment of ANOMALY0 to disrupt federal procedureemotional volatility in ENTITY1 and ENTITY2’s relationshipMINOR INSIGHT INTO:the institutional worship habits of "Inspector Yule B. Jolly"cross-camp dynamics between SITE2 and SITE4Important notes:The audit nearly resulted in the exposure of ENTITY2’s necromantic classification. His documentation was demanded. Rather scary, no?ENTITY2 is showing clear signs of dissociation and depersonalization under pressure.ENTITY1 remains fixated on protection as a concept rather than a practice. His post-audit confrontation with ENTITY2 yielded no actionable resolution. Color me surprised.Disclaimer: Camp Here & There is intended for audiences aged 16+. The story deals with mature themes and graphic horror which may not be suitable for all audiences. Viewer discretion is advised.Performances by Blue Wolfe, Voicebox Vance, Dio Garner.With original music composed by Will Wood and produced by Jonathon Maisto.Additional music composed by Kyle Gabler and Another You.Featuring "Sidewalk Shade - slower" Kevin MacLeodDialogue and sound editing by Emily Safko and Beetlesprite.
Tune in to the loudspeakers of a small midwestern sleep-away camp plagued by supernatural terrors and natural disasters. Sydney Sargent, resident camp nurse, cheerfully reports on all the terror we must face with a big smile. Let's hope there's nothing weird about that!
Episodes air every Monday night at midnight EST.
Note: Camp Here & There contains mild horror elements and mature themes. It is not intended for audiences under 16 years of age.
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