Another Goddamn Horror Podcast!

On this episode, the goddamn guys sit down with Australian filmmaker Alice Maio Mackay to chat about her newest film, The Serpents Skin!

For anyone that doesn't know Alice's work, you must be sleeping six feet under. She's got 7 feature films under her belt and she's only 21 years old. The Serpents Skin, like many of her other films, tackles a subject from a queer perspective and flips a traditional narrative on its head. This is a story of love, lust, tattooing and just a little dash of possession. One of the most unique and visionary directors to come out in the last decade, Alice isn't stopping any time soon and she is telling stories her way, without compromise, and she is the exact type of artist we love to showcase and tell you about.

Strap in for an episode exploring her career, her favorite collaborators and a fair share of ass kissing from our end.

In this wild and deeply erotic episode of AGHP, we sit down with visionary writer/director Alex Phillips to dive headfirst into his cult shockers All Jacked Up and Full of Worms and the stunning follow-up Anything That Moves. We talk transgressive horror, underground cinema, sex, violence, tenderness, and the strange beauty of making art from emotional chaos.
Phillips crafts grimy, hypnotic nightmare films packed with punk rock energy, hallucinatory visuals, and genuine human vulnerability, movies that feel dangerous, intimate, and alive. From body horror and exploitation cinema to hope, love, and emotional ruin, this conversation explores what happens when horror filmmaking stops caring about rules and starts chasing raw feeling instead.
If you’re into extreme horror, art house horror, experimental film, underground movies, indie horror directors, cult cinema, or boundary-pushing transgressive art, this is an episode you do not want to miss. Alex is a truly singular voice in modern horror, an artist obsessed with emotion over convention, and one of the most exciting filmmakers working in underground genre cinema today.
#HorrorPodcast #IndieHorror #TransgressiveHorror #CultCinema #BodyHorror #ArtHouseHorror #UndergroundFilm #ExtremeCinema #ExperimentalFilm #AnythingThatMoves #AllJackedUpAndFullOfWorms #AlexPhillips #HorrorMovies #FilmPodcast #PunkCinema #ExploitationCinema #IndependentFilm

On this special edition of Another Goddamn Horror Podcast, Graham & Jonas sat down with first time writer & director BT Meza to talk about his new film, "Affection".
"Affection" is a sci-fi horror starring Jessica Rothe, Joseph Cross and Julianna Layne that's fresh off a year of festival runs, coming to theaters on May 8th. BT brings us behind the screen to chat about his personal connections to the film, the explorations of familial trauma, what people can be driven to fo for the sake of love & much more. Affection is a gnarly piece of indie, sci-horror cinema that AGHP fans will love from start to finish.

Can Evrenol (pronounced “Jon”) is an incredible director, regardless of where he’s from—but his Turkish influence and punk rock, anti-authority mindset are what make his movies truly sing. Whether he’s working in Lovecraftian dream logic, brutal revenge, post-apocalyptic kids-on-a-mission stories, or cops-in-hell chaos, he brings everyone to school.
From Baskin to Sayara, and now the absolutely WTF remake of one of the most unhinged films in recent memory, The Coffee Table—which he brilliantly retitled The Turkish Coffee Table—Can proves he’s a once-in-a-lifetime talent.
You should be watching all of his movies now.
Or at least after you watch this.
And yeah—it’s pronounced “Jon.”

On this episode of Another Goddamn Horror Podcast, the boys welcome one of their favorite people to the show, Mishka Shubaly! Mishka is an author, musician, comedian and on this episode, he brings us into the very real, hellish world of "Simón". While not traditional horror, "Simón" shows us the horrors of Venezuelan immigration, political asylum and more than a little bit of torture & trauma. With Mishkas personal connection to the crisis in Venezuela, this episode hits a bit harder.
This film is one that reminds us that the true horrors in the world are right in front of our faces, all throughout the world, every single day. And anytime some faux-edgy horror bro decides to say that horror isn't political, you can point to films like "Simón" to call their bullshit.