Filmspotting

A few weeks out from The Social Reckoning’’s tepid theatrical debut, it’s safe to say Aaron Sorkin’s “spiritual sequel” to 2010’s The Social Network won’t match its successor’s box-office success, nor is it likely to be as fondly remembered in 16 years’ time. There are many ways in which the newer film goes astray, which we cover in our opening discussion of Reckoning, before bringing Network back in for Connections to consider how much of each film’s vision of Mark Zuckerberg’s social-media empire can be attributed to/blamed on Sorkin specifically. Then in a Zuck-inspired Your Next Picture Show, we briefly review a very long documentary about another tech billionaire whose name has become something of a four-letter word over the years: Alex Gibney’s Musk.
Please share your thoughts about The Social Network, The Social Reckoning, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
Next Pairing: Nathan Fielder and Lance Oppenheim’s You Can See Everything and Albert Brooks’ Real Life.
This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.
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For Halloween week, we're going deep into the Archive for Adam and Josh's 2013 Sacred Cow review of William Friedkin's The Exorcist.
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For the final episode in Spook-tober, Jordan and Matt share the defining scares of their childhoods and respond to listener requests for campy and creeping dread horror movies. And then — the horror! — Jordan takes a turn hosting America’s fastest growing game show: Portmanteau-To-Toe.
Intro (00:00:00–00:03:07)
The Movies That (De)Formed Us (00:03:08–00:39:56)
Listener Request Seg: Campy and Creeping Dread Horror Movies (00:39:57–01:09:09)
Notes / Game: Portmanteau-To-Toe (01:09:09–01:24:09)
New to Streaming / Credits (01:24:10–01:32:31)
Show Notes
Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠
Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (available now!):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠
Matt’s book tour!
matt-singer.net
Bazooga jingle by Andy Wilkowske
https://www.andrewwilkowske.com/
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Film critic Bilge Ebiri (Vulture, New York Magazine) joins Michael Phillips to test one of Alfred Hitchcock's most famous assertions: "There is a distinct difference between suspense and surprise."
Drawing on Hitchcock classics including Sabotage, Rear Window, Notorious, and Psycho, Michael and Bilge explore why the 'Master of Suspense' believed audiences should dread an explosion more than simply be startled by one. They discuss Hitchcock's notorious "grave error" in Sabotage, the enduring power of the night-vision sequence in The Silence of the Lambs, the unresolved terror of Zodiac, and what contemporary filmmakers such as Jordan Peele and Zach Cregger have learned from Hitchcock's approach.
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How do you reimagine a beloved novel like Jane Austen’s Sense & Sensibility without losing what people love — and expect — from an Austen adaptation? Whatever it is, director Georgia Oakley appears to have figured it out. Adam and Josh praise Oakley’s earthy and unfussy film. Plus, a recap of their weekend at the Chicago International Film Festival, which included a screening of Pawel Pawilkowski’s Fatherland, and — for Josh — a 30th anniversary screening of Cheryl Dunye’s Watermelon Woman. Also, Josh’s review of Whalefall, and listeners rank the most anticipated movies of the fall.
This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off.
(Timecodes will not be precise with ads.)
Intro (00:00:00-00:03:08)
Sense & Sensibility (00:03:09-00:25:34)
Filmspotting Family (00:25:35-00:30:35)
Sense & Sensibility, cont. (00:30:36-00:46:38)
Fatherland (00:46:39-01:07:00)
Watermelon Woman, Whalefall (01:07:01-01:13:34)
Polls (01:13:35-01:25:35)
Credits / New Releases (01:25:36-01:31:25)
Notes:
-Refocus Film Festival
https://refocusfilmfestival.org/
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