We’re thrilled to share another podcast from Kerning Cultures Network with you: “Beyond the Raging Sea: State of Mind”. In 2016, Omar Samra called Omar Nour with a life-changing idea: “How about we row across the Atlantic Ocean?” Within a matter of hours, the two were registered to compete in the world’s toughest race: a 3,000-mile unsupported row across the mighty Atlantic Ocean, in a seven-meter rowing boat. However, nine days into their journey, when their boat capsized in a severe storm and the life raft didn't open, they came face-to-face with death. State of Mind is produced by Kerning Cultures Network.  Lobna Monieb is the host of State of Mind. This episode was produced by Lobna, and edited by Heba El-Sherif. Fact-checking by Deena Sabry and sound design by Monzer El-Hachem. Special thanks to Dr. Anna Lembke for speaking to us for this episode. 

It’s 1988, and Somalis are fleeing the city of Hargeisa. People are trying to get out, trying to save their families. But in the city’s radio station, staff are packing cassettes and reel to reel recordings into a secret underground bunker. On them: A slice of their country’s musical heritage, to remain for years in an underground room—until now. This episode was produced in collaboration with Far Flung with Saleem Reshamwala, from the TED Audio Collective. To listen to other episodes that travel all over the world to explore ideas, follow Far Flung with Saleem Reshamwala wherever you're listening to this. This episode was produced by Sawsan Abdillahi, Hiwote Getaneh, Alex Atack and Saleem Reshamwala. Production support in Hargeisa by Ismaaciil C. Ubax. Fact checking by Nicole Bode and Paul Durban, and sound design by Kristin Mueller. The executive producer was Eric Nuzum. Special thanks to Vik Sahonie at Ostinato Records for letting us use the music from the Sweet As Broken Dates album. You can hear songs from the buried tapes on this Spotify playlist. Find a transcript for this episode on our website: kerningcultures.com/kerningcultures.  Support this podcast on patreon.com/kerningcultures for as little as $2 a month.

We’re excited to share another podcast from the Kerning Cultures Network with you. Masafat is Kerning Cultures’ soul sister. It’s a series of Arabic audio documentaries driven by curiosity. Exploring unfamiliar dimensions from the past or the present. In this episode, we introduce a music genre surrounded by a lot of controversy: Mahragant music in Egypt. Why do we only listen to Mahraganat by men? Why haven’t women broken into Mahraganat yet? Masafat is a Kerning Cultures Network production.  This episode was produced by Lobna Monieb, and edited by Shahd Bani Odeh and Alma Intabli. Editorial support by Heba Afify, Rand Khdair, Nadeen Shaker, Dina Salem and Nima Salha. Fact-checking by Tamara Jaburi. Sound design by Mohamad Khreizat.  Listen to Masafat wherever you get your podcasts.

A blind oud player from humble beginnings, Sheikh Imam’s destiny changed drastically when he met a dissident poet called Ahmed Fouad Negm, and they formed a duo. Together, they would go on start a new era in Egyptian popular music. Their songs would shake regimes, travel the world on cassette tapes, and transcend their own time to become part of the soundtrack to Egypt’s revolution decades later. Today, the story of Sheikh Imam: the Egyptian singer who became an icon of dissent. This episode was produced by Nadeen Shaker, Heba El-Sherif and Alex Atack, and edited by Dana Ballout. Fact checking was by Deena Sabry and sound design, music and mixing by Monzer El Hachem. Voice over by Eihab Seoudi, and translation help from Maha El Kady. Cover art by Ahmad Salhab. The songs you heard on this episode were composed and performed by Sheikh Imam and written by Ahmed Fouad Negm and Zein Alabidin Fouad. Lyric translations were by Ahmed Hassan and Elliott Colla. Fill out our listener survey here (it’ll only take 5 minutes!) Support this podcast on patreon.com/kerningcultures for as little as $2 a month. You can find a transcript for this episode at our website, kerningcultures.com/kerningcultures.

Stuck in his Palestinian hometown of Jenin during lockdown, Mo’min Swaitat walked into an old music shop where thousands of dusty cassettes lined the walls. They contained decades of Palestinian music and field recordings once confiscated by the Israeli army, long since forgotten, and never meant to make it out of Palestine. This is the story of what was on those cassettes, and Mo’min’s mission to give them a second life. This episode was produced by Nadeen Shaker and edited by Dana Ballout. Fact checking by Deena Sabry, sound design and mixing by Nadeen Shaker, Alex Atack and Monzer El Hachem. Our team also includes Zeina Dowidar. You can listen to the Intifada album on Bandcamp. Support this podcast on patreon.com/kerningcultures for as little as $2 a month.